#usually i feel guilty instead of frustrated but this is the main reason that i can't do tutoring

[oblitus-vulpes]

me 🤝 ranpo

"this fact is so glaringly obvious to ME so at the very least its noticeable to everyone else, right?" (it is not)

[dreamedofyou]

OF Favourites Rankings (Halfway Point)

Got tagged by @thatgirl4815 and thought it'd be fun to do but as usual I'm a bit late, as this was supposed to be done before ep 7 aired. 😅 Ah well, I'm still going to rank the characters only up to the halfway point of the series (aka the end of ep 6) so bear in mind that this was my list before ep 7 (and it did slightly change since).

Ok, let's get into the rankings, from last to first place:

7. Boston

Said this before and I'll say it again: I enjoy having Boston on my screen because he always makes things interesting and entertaining. He's just a character I absolutely love to hate. As a person, though, he is just so rancid that he takes my last spot in the ranking and I base most of that on the way he treats his friends tbh. If this is the shit he does to people he's supposed to be close with and care about, then I dread to think how he treats those that mean absolutely nothing to him. The thing is I'm usually a huge fan of characters who do bad/toxic stuff (as you will see later on in my ranking) but they need to have reasons other than their ego for it and at the halfway point I don't see that in Boston. This might change by the end of the show, of course.

6. Cheum

I have two main reasons why she's so low on this list, the first of which being that she simply doesn't have enough screentime/storylines for me to form a strong attachment to her character, and the other being that she sometimes annoys me with her remarks. I enjoyed the conflict we got between her and April but it was so brief, I wish the female characters got the same treatment as the male ones instead of feeling like an afterthought. This is actually my one major criticism of the show but unfortunately it's a problem most BL shows suffer from.

5. Nick

I sympathise with Nick but at the same time I'm also like "you kind of brought this on yourself, my guy." The way he's either blinded by Boston's sweet-talk or just doesn't mind Boston's assholery frustrates me so much sometimes, which is why he's only nr. 5 for me. That and the fact that we don't know that much about him (yet) either. I need more to fully connect.

4. Top

I feel like this is an unpopular opinion but I think Top gets too much shit from the fandom. Yes, the reason he started pursuing Mew was shitty, but along the way he did genuinely develop feelings for Mew and imo him wanting to change and settle down is sincere. I'm a big believer in second chances if people are genuinely willing to change and better themselves, which I do think Top wants. Obviously, him sleeping with Boston (and lying to Mew) was shitty and it's one of the reasons why the nr. 4 spot is probably as high as he can go for me but I'm way more lenient there than most people because he was heavily manipulated into it by Boston and then regretted it and felt guilty about it. This isn't an excuse on my part, btw, I'm not absolving him of blame, but context makes a difference for me personally. I also think his character has the potential to grow a lot and I'm a hoe for character development (as you'll also see later).

3. Mew

Same as with Top, I feel like my opinion on Mew is somewhat unpopular, especially when it comes to his relationship with Ray. Basically, I don't think he's a bad friend at all and I believe he genuinely wants to help Ray but sometimes goes about it the wrong way (possibly due to previous experience). I think his heart is in the right place when it comes to most things and he's just like... a pretty normal dude, which I appreciate. That doesn't mean he has no flaws and can't be petty or nasty if he wants to be, however. I guess my one problem with him is I sometimes struggle to see why he fell so hard for Top specifically (what was so special about Top) because we weren't really given much of a reason. Unless it's just one of those situations where you fall for someone's looks/vibes and like that they're nice/sweet to you, and it isn't much deeper than that (because that happens to people, but Mew doesn't seem like the type to fall for those reasons). Basically, I like Mew much more when he isn't with/around Top.

2. Sand

I don't even have much to say here because I literally love everything about Sand, flaws and all. The only thing that slightly irritates me sometimes is the fact that he (unintentionally) self-sabotages by not wanting to talk about his feelings, probably because he wants to appear as if he's fine all the time even when he's clearly not. Sand is also the character I relate to most. Honestly, if it wasn't for my tendency to obsess over "broken" characters who do destructive things but are otherwise not bad people (and have a huge character development potential) then Sand would be my nr. 1. But, alas...

1. Ray

Ah, yes, we've arrived to the aforementioned "broken" character. This man has more issues than all the other characters combined and it's exactly what makes him my favourite character, oops. Unlike Boston's shitty behaviour, which is driven by ego, Ray's is driven by loneliness, abandonment issues, a lack of love, the list goes on. I genuinely think he's not a bad person, but he's self-destructive (which ends up endangering others as well) and obsessive/unable to let go (particularly when it comes to Mew), which is a recipe for disaster. He wants to be loved so badly but he wants it from the wrong person (Mew) in the wrong manner (romantic). As I said before, I'm a hoe for character development and Ray's potential on that front is off the charts. I want to see him deal with his numerous issues and grow from it as a person. What can I say, I'm just a sucker for those types of characters.

I want to conclude this by saying that there are two wolves inside me: one is a Sand Protector and the other is a Ray Apologist. They are at constant war with each other. Whichever one wins a battle at any given moment determines which of the two characters is currently my nr. 1 and which my nr. 2. That is all. 🙃

Since I'm late with this, I won't be tagging anyone but if you see this post and want to do your own ranking, feel free to consider yourself tagged.

I wonder if my list will change after the series finale.

[cry-stars]

Hey! I created the writing asks so I'll send you a couple, any OC you feel like:

pen, marker, crayon, copics, charcoal, tortillon, and eraser please!

Hi, thank you so much for asking and for making such a cool ask list!! I took a long time to answer haha. I wound up shuffling the names of my main adult OCs and answering these for whoever's name came up first!

Pen: what's one minor moment your character regrets? A small mistake, but something they "can't erase"?

Johann: I guess there’s no particular moment but a lot of small moments for this… but Johann regrets not picking up on his brother Laarni’s suicidal/depressive tendencies sooner. Johann had previously never suspected a thing--for good reason, since Laarni hides it from his brothers very well. After one close call when things get too tough for Laarni and Johann witnesses it, Johann becomes extremely vigilant, checking up on Laarni whenever he can--although subtly, since Laarni hates to think that his younger brothers are worrying about him.

Marker: what's one thing your character would never tattoo on their body, even if they were paid a million dollars for it?

Johann: Honestly if it was to get money for his family to help take care of them, Johann would do absolutely anything, no matter what it was. Even if he hated the tattoo, he’d do it for them.

Crayon: what was your OC like when they were four years old? Were they loud?  Shy? Were they the resident "weird kid" or did they get along with others their age?

CJ: CJ was extremely spoiled and bratty as a little child, and wouldn’t hesitate to scream and cry if things didn’t go her way. Outside of her temper tantrums though, she was extremely quiet. Even her dad was surprised if he heard her voice aside from screaming, and strangers would definitely never hear her speak.

Copics: what is this character's most expensive habit or hobby? Do they ever feel guilty about the money they spend on it?

Gareth: Gareth has no hobbies (usually). He devotes his entire life and work to trying to outdo his love-hate idol Clive’s past feats. Instead of using mechanical means the way Clive did, Gareth uses computers. Since my Gareth story happens in the 1980s, a computer hobby would be extremely expensive, especially for the powerful virtual reality-type machines Gareth is trying to build.  Gareth eventually does try out more hobbies thanks to his mom-crush Flora’s urging, particularly gardening. Rather than feeling guilty about the money aspect of it though, he more feels guilty or frustrated about spending any time on anything other than his plans to outdo Clive. He would never do it if it weren’t for Flora convincing him.

Charcoal: share any unique physical features about this character that are not scars or tattoos.

Pearl: I guess the main thing for Pearl is that she’s very tall (six feet) and looks enough like her brother that they can be mistaken for each other from a distance, although they aren’t twins and are several years apart from each other. She and her brother sometimes called themselves “the Caine brothers” in their early years establishing their robotics company, and the name was rarely questioned.

Tortillon: does your OC "blend in" with the people around them? Physically? Metaphorically?

Glynrie: Glynrie doesn’t physically blend in at all. He’s the only elf and acts quite archaically in a modern city filled with humans. Because of this, as well as because of being a butler, Glynrie tries to stay in the background as much as he can, devoting himself to serving the Khora company and watching out for another servant of the family, Walidah, who is also a homebody. If Glynrie ever left the Khora mansion, he’d definitely stand out, but he blends in well with the Khora family.

Eraser: what's one way this character has changed over time? Either over the course of their story, or over the course of designing them as an author.

Glynrie: Glynrie is an expy of an elf butler named Galion from The Hobbit. Galion doesn’t get to do much in the book, but I really loved him and wrote a ton of fanfics about him, developing him so much that he felt like my own character. I really wanted to keep using Galion even outside of the Tolkien world, so I created Glynrie, who is still an elf butler, but has a much different backstory and different relationships with people around him. Glynrie still has the borderline(?) OCD that I gave to Galion, but now also has a very big protective streak that the old character didn’t really have, as he takes care of his friend and fellow servant Walidah and also works to help his boss Ms Shinzou with anything she needs. I also canonized Glynrie being aroace now; Galion had been “coded” that way even if I didn’t know what that was when I was a kid writing him, but it’s official now.

[messers-moony]

Serene | F.H

Paring: Five Hargreeves X Fem!Reader

Summary: Five’s wife has a room in their apartment for her own safe keeping. But Diego’s daughter accidentally reveals her biggest secret.

Her scent was heavenly—a beautiful desired mix of coffee, chocolate, and old books. Waking up beside her was like waking up in a coffee shop during sunrise. Her scent resembled her nature and her personality to a tea.

She was calm, collective, resourceful, and quiet. Much different than he himself. Number Five was just as innovative as her. But he found himself more different than similar. He often acted upon impulse and unable to rest. To his siblings, they were bewildered at how the two of them spent a multitude of years together in an apocalypse.

Nevertheless, opposites attract.

Regardless, she didn’t speak up. Instead, she hid in a corner with a book agreeing with the other person instead of saying her point of view. She hated conflict more than anything. Five, on the other hand, would only make conflict when necessary. He always stood up for himself and his opinions.

It was a communication issue they both had to solve. While in the apocalypse, she didn’t speak for the first month. He was lucky if he even got some form of communication other than a nod or a shake of the head. Eventually, he learned her name was Y/n. A beautiful name for a beautiful girl. She looked like her name.

She moved so delicately and smoothly it drove Five crazy. This woman he met was so opposite to him it drove him up the wall. The conflict between the two usually ended up in her quietly leaving the shared apartment and returning later than expected. Which left Five to pull at the tuffs of his brown hair in frustration.

Five overthought everything. This woman was the light of his life, but she couldn’t deal with conflict to save her life, and it made him wonder. Maybe she went through a dark time before the apocalypse. Perhaps the scars on her arms weren’t from accidental burns on the fire. He paced in their main room for hours. It seemed before a knock on the door caught his attention.

The boy opened the door to see his brother, “ Hey, Diego. “

“ Um, hey, Five. “ Regardless of Diego’s nervous greeting, Five gave a reassuring smile, “ Artemis wanted to know if she could stay here for the time being while I’m at work. “

The little girl was Y/n’s pride and joy. The two were so highly similar. Even Artemis found herself cowering at Five sometimes. Five was just a ticking time bomb no one ever knew when it would explode, and it made people nervous. Henceforth Diego was hoping Y/n would answer the door with her soothing nature.

“ Yeah, she can stay here for as long as she wants. “ Five replied softly, looking at the ten-year-old girl, “ Is Y/n here? “ Diego queried.

Five shook his head, “ She went out. I’m sure she’ll be back later. “

“ Alright, well, thank you for taking care of her. “ Diego sighed as Artemis went inside Five’s apartment, “ It’s no problem. “

Diego gave another nervous smile and walked away. The brunet male shut the door and locked it afterward. The little girl never really got along with Five. He didn’t know what to do. Children didn’t mix well with Five, especially an introverted, antisocial ten-year-old girl.

Artemis was gorgeous for her age. Long brown hair that resembled Vanya’s at her age with bangs across her forehead. Striking blue eyes like no other. A pale complexion compared to Diego’s naturally tan one. Her name was almost a contradiction to who she was. This little girl was no independent, strong, brave goddess. Instead, she was intelligent, quiet, and careful.

There was one room in the apartment Y/n didn’t really let anyone into. It was the ‘spare’ bedroom that wasn’t really a bedroom anymore. Five had only been in there a handful of times. It was known as her safe space, so Five respected that. But Artemis seemed to walk right inside. To say it made Five uneasy was an understatement. He didn’t know if she was allowed inside or not.

Five walked into the room and was greeted with bookshelves. It looked much different than the last time he saw it. The room wasn’t huge, maybe the average size of a square bedroom. Black bookshelves covered the walls with a desk sitting in the middle of the room planted on a rug. The only wall space not covered was a window with a tiny navy blue couch placed in front of it.

That’s where Artemis sat with a book in hand; she giggled at her uncle’s lost complexion, “ You haven’t been in here before, have you? “

“ I- I haven’t been in here a lot. “ Five replied in awe of the room, “ Aunt Y/n says she doesn’t let a lot of people in here. “ Artemis’ voice was soft and serene.

“ Yeah, it’s been a couple of months since I’ve been allowed in this room. “ He reminisced, “ Is this where you two talk? “

Artemis nodded, “ We talk a lot in here. This is where she works, and she shows me all her drafts. “

“ She works in here? “ Five queried, completely baffled, “ Mhm! You didn’t know? “ The young girl asked.

“ No, I- I didn’t know. “ He muttered, “ She’s not just an English teacher. She writes books in her spare time. “ Artemis smiled.

“ She does? “ Five spoke, “ Like how Vanya wrote her autobiography? “

“ Kind of. “ Artemis answered, “ She writes fiction novels. “

Five spun around the room, “ Can you show me? “

The young girl didn’t reply. Instead, she looked at Y/n’s desk sitting in the middle of the room. Under the rug laid a key which she picked up. Carefully she unlocked the bottom drawer on the left side of the desk, which held multiple different notebooks full of drafts and notes.

Artemis picked up a navy blue-bound notebook and handed it to him, “ This is her most recent stuff. “

Shocked and astonished at what his wife was hiding from him, he took the navy blue book. He took a spot on the rug sitting next to the open drawer while Artemis went back to reading on the couch. Her handwriting was elegant cursive that she taught herself how to do. The notebook was as messy as Five’s lesson plans for his college students. Nonetheless, he read on.

Life is a journey and full of different surprises. People from all around the world meet in the center for one leading cause. What occurs when tomorrow doesn’t happen? What is indeed on the other side? People tend to believe there’s an afterlife. Others think that it’s game over.

Brooklyn James takes a path into the unknown. A scared adolescent. She takes a brave step to find the answers for everyone. But at what cost? Prophecies advise and warn. People intrigued and fascinated.

When happens when both ends meet?

Five sat on the floor, entranced in her writing. He couldn’t believe his eyes. How has he never seen this before? How was she doing this without him noticing? Eventually, he closed the book and looked inside the drawer. Inside was an envelope with his name on it. Curiosity peaked, he took the envelope and opened it. Inside he found more writings, but all addressed to him. It even went back to the apocalypse.

It’s been about a month now. I was able to find some parchment and ink in an old book store. I can imagine they were selling for the aesthetic of old ways of writing. Thankfully I learned how to write with a quill, or perhaps this note would look like one big black blob. Five seems to be adjusting to me better. I’m scared of him. He’s terrifying.

We’re so different it hurts. He likes to express everything, and I don’t know how to feel about it. My entire life, I’ve been shut down to the point where talking feels like a fruitless effort. Maybe talking to him will help me. But I’m scared. What if he shuts me out as everyone else did.

This is so surreal. We’re stuck in an apocalyptic future—stupid healing powers. I wish I never healed myself sometimes. I didn’t know that after climbing out of my burnt house, this is what the world would look like. Five’s been a great help, though. Sometimes he takes my mind off things. At night he’ll ramble about the constellations, and I like learning about them.

Maybe he thinks I’m asleep or not listening because I don’t talk much, but I’ve learned a lot from him. He makes me want to be a teacher, step out of my comfort zone. I hope he becomes a teacher. He’d be a fantastic math professor.

He continued to read through until a voice made him jump, “ So, you’ve found my locked drawer. “

“ I- I didn’t- I didn’t mean- “ Five suddenly became a stuttering mess, “ I showed him. “ Artemis admitted.

Although Y/n wasn’t mad, Artemis cowered with her head, looking at the floor. Y/n’s voice never held anger, even when she was angry. Her voice was calming, soothing, and laced with honey. It was one of the reasons Five fell so in love with her.

“ Artemis, can you step out to the living room, please? “ She knelt before the girl giving her a tiny smile, “ You aren’t in trouble, my princess. I just want to talk to Five, okay? “

“ I’m- I'm sorry. “ The girl whimpered, and Y/n kissed her cheek gently, “ It’s okay, you aren’t in trouble. I’m not mad. I just need you to sit in the living room for a moment. “ Five stared in wonder at his wife comforting the tiny girl.

The young girl got the message and padded to the living room. Y/n stood up from her spot and stared at her guilty husband. His green eyes looked everywhere except for her e/c ones. He wanted her to yell or be angry with him, but she never was. No matter what, he couldn’t ever make her mad. Her patience were infinite.

“ I suppose you found what I’ve been working on. “ She stated, and Five nodded, “ And you saw my parchment from the apocalypse. “

“ I really didn’t mean to. “ He murmured, and she chuckled, “ You were going to have to find out sooner rather than later. “ Y/n replied.

Without warning, he was embraced. Her arms were wrapped around his torso while her head rested on his heart. The scent of her shampoo reached his nose, a glorious mix of honey and coconut he couldn’t ever get enough of. His arms gently wrapped themselves around her shorter frame while his chin perched on top of her head.

He kissed her hair gently, “ I didn’t mean to snoop. I’m sorry, love. “

“ Well, do you like it? “ She asked, “ Like what? “

“ My drafts, my room, my notes? “ Y/n listed, “ I love it because it’s who you are. “ Five replied softly.

He pulled away to meet her soft e/c eyes, “ This room is who you are as a person. If I had to describe you in one room, it’d be something along these lines. “

“ You aren’t mad I didn’t tell you? “ She whispered, and he shook his head, “ Never. We spent forty-five years together with no privacy because we didn’t have that. When you said you wanted this room to yourself, I didn’t hesitate to agree with you. “ His voice was soft like silk.

His green eyes glittered like gems, “ This is your private room, your safe place, and I shouldn’t be mad at you for wanting privacy. “

She kissed his cheek gratefully, “ Thank you. “

“ Anytime, darling. Anytime. “

[winter-soldier-vibes]

I wasn’t there

Bucky x reader

Word count: 2510

Warnings: self harm/self harm scars, little bit of angst, mostly comfort, tears

Summary: Reader self harms and Bucky sees her scars one day on a mission by accident. He feels guilty and wants to help her as much as he can now that he knows. 

Based on the quotes: "Show me your scars, I want to see how many times you needed me and I wasn't there"

A/N: Thank you SO MUCH to the anon who sent this in! Not going to lie I was bawling writing this, I love it so much. This deals with heavy topics and mental health so as always, if you feel that reading this will be harmful to your journey in any way, please feel free to skip it. As always, I am here to talk about anything you guys may need. 

A/N 2: Ok there’s a part at the end that I don’t think is technically canon but it’s rumored and has been talked about before in regards to some of Bucky’s scarring on his left arm. I know it’s not a confirmed canon thing but it honestly works so well and I believe it’s true, please don’t come at me for that. <3

Tags: @buckys2thicc @thatfangirl42 @mardema @stucky-on-spiderman @barnesplums @peggycarter-steverogers @abitgryffindorky @buckfics  @freigeistundanderes  

Main Masterlist 

------------------------------

You trudged back to your room in the compound, exhaustion taking over your body. You had just gotten back from a mission that had taken the life out of you, more so than any others on the team. You had the power to control elements, but whenever you did it drained the energy out of you. At one point you had been surrounded, forcing you to lift the ground around you to knock everyone back. 

It was more than you had ever done at once, and nearly made you pass out. 

You were able to finish the mission, but you were absolutely exhausted, the worried eyes of Steve, Bucky, Bruce, and Natasha looking over at you. Nat was flying the quinjet, but still glanced back at you from time to time. Bruce was there mainly for medical help, as there wasn’t need for a code green. Steve was just Steve, being worried about you as your Captain. And as the friend of your boyfriend.

Bucky meanwhile would not leave your side. He was concerned, even after Bruce had determined you were nothing more than completely exhausted. He insisted on you lying down and him staying next to you. It was nice to know that he cared about you so much, he would do anything to protect you.

Which is what made your heart ache when you saw his face drop when you had said you were fine, and walked off to your room when you had arrived home.

It wasn’t that you wanted to be around him, not at all. It was just that you wanted to take a shower and wash the sweat and grime off of you, and you didn’t want him to see. Not yet, you hadn’t told him yet.

When you closed the door to your room, you peeled off your uniform, exposing your skin littered with scars varying in depth and age. You turned the water on and leaned against the countertop as you took in yourself. 

God, you hated them. 

You had struggled with self harm for a while now, but it was better than it had been before. It had been really bad before you had started dating Bucky. It’s not like it magically went away when you did, not at all, but just being around him made it easier. Him telling you how much he loved you, spending time with you, you helping him feel more secure. You weren’t alone in your head as much, 

He helped and he didn’t even know it. 

You traced your fingers over the most recent ones on your wrist from a few days ago. They had scabbed over by now, but the memory was still fresh in your mind. It was a panic attack in the middle of the night, and you didn’t want to wake anyone. You knew this would help you and it did. It grounded you back to the moment, calming you down as you focused on the stinging sensation rather than the panic. 

You looked down at all the other marks you had made. Most of them were on your thighs, because they were the easiest to hide. It was easier to wear pants in the summer than long sleeves. But you were running out of room, moving to your arms instead, trying to stay away from your wrists. But a few days ago you couldn’t even think about it through your panic attack. Sometimes you couldn’t think about it, being so overwhelmed that you weren’t quite aware of what you were doing until you saw the blood.

 You remembered making every single one of them. They all had a story, a reason. And all of them were different. 

You wanted to tell Bucky, you knew you would have to eventually. The two of you had avoided intimacy up until now, and slept in different rooms unless either of you was having a rough night and asked the other to stay. It wasn’t that you didn't want to be intimate with him, you had been together for months. But you had to tell him about this first

And you couldn’t find a way to quite yet.

You just couldn’t find the right time or words. You didn’t want to scare him off, and you didn’t want him to look at you in the sad, concerned way that people usually do with this sort of thing. You didn’t want to put this on him. And you for sure didn’t want him to blame himself.

You sighed, tearing your gaze from the mirror. You stepped into the shower, letting the warm water wash over you. You stood there like that for a few minutes before you moved to wash your body, taking your time. You had no plans tonight other than going to sleep. 

Bucky had watched you walk slowly back into the tower, wanting to follow you but also wanting to respect your boundaries and space. You were exhausted, but he wanted nothing more than to comfort you the entire night. But you didn’t want him too, and he wanted to respect that.

Still, it broke his heart to watch you limp away. He felt helpless. 

He couldn’t help but wonder if something was wrong with you. The way that the two of you had been together for as long as you had without some form of intimacy. He was patient, he would never want to push you, but he wondered why. Whenever the two of you had a conversation you had seemed to stiffen slightly and get uncomfortable. 

He never pressed it. Just dropped it and hugged you, telling you it was fine to wait. 

But the more time passed, the more helpless he felt. He felt like you were hiding something from it. He just wished he knew what it was so he could better help you. But in a way he understood. Everything that he had gone through - forcing someone to open up usually unintentionally makes them shut down. 

Even so, as he went back to his room he couldn’t stop thinking of you. He took his own quick shower, putting on sweats and a T-shirt before he came to check on you. He just wanted to make sure you were alright.

You had gotten out of the shower yourself, slowly drying yourself off before going back to your dresser to find something comfortable to wear. It was brutally hot and you were exhausted, pulling on a tank top and shorts. You were about to go back to lie down when you heard a soft knock on the door.

You sighed in frustration, closing your eyes for a moment. “Yeh, just a minute,” you said, exhausted, grabbing a pair of sweatpants and a loose sweatshirt to pull over yourself. You walked over to the door and opened it slightly, giving the man in front of you a tired smile.

“Hey Bucky.”

Bucky’s face softened, a small smile spreading on his face. “Hey doll. I - I know you said you wanted some time to yourself but I just wanted to check on you.”

You smirked at him slightly. “I’m just about the same as when we walked off the quinjet Bucky.” You shrugged, tugging your sleeves down - nervous habit. “I’ll be fine, I’m just really tired.”

Bucky looked you up and down quickly. “You sure?”

You hesitated a moment longer than you should’ve, quickly bringing yourself out of it. “Yeah.”

“You don’t sound sure,” he said gently. “Can I stay with you tonight?”

“Look I’m fine, I just want to go to sleep. I’m exhausted.”

“Please? Let me take care of you, it’s been a long day,” he said.

“You don’t have to Bucky,” you started, shaking your head lightly.

“I want to,” he assured you.

Sighing, you opened the door more to let him in. it wasn’t that you didn’t want him to stay, you did in a way. You always slept better with him there. You just really wanted to take off the sweats. But that would mean having a conversation that you weren’t ready for.

Sweat was better than tears.

You climbed into bed and Bucky laid down beside you, wrapping his arm around you. He kissed the temple of your head as you relaxed back against his chest. “Try to get some rest sweetheart.”

You hummed, already feeling exhaustion overtake you as you closed your eyes, drifting off to sleep faster than you ever had.

-----------

You woke the next morning feeling much better than the night before. You shifted slightly, feeling Bucky’s arms still around you. 

“Good morning sleeping beauty.”

“What? What time is it?” you asked sleepily.

Bucky chuckled behind you. “It is almost noon.”

Your eyes widened as you started to sit up. “What? I slept that long? How long have you been awake, I’m sorry -”

“Hey, sweetheart, don’t worry about it. I've been awake for a while but it’s no problem. You needed the rest and I’m glad you got it.”

You hummed again in acknowledgement, reaching your hands up to rub your eyes. What you hadn’t realized was that while you were asleep, your sleeves had ridden up slightly. You never had to worry about your wrists because you had never gone down that low on your arms. 

“Angel, what’s that?” Bucky asked, grabbing your arm gently to get a better look. You took your arm away quickly, tugging your sleeve down. You shook your head and crossed your arms as you stood up. “It’s nothing, really. I’m gonna go shower.”

“It doesn’t look like nothing,” Bucky said, standing and walking over to you. You tensed, and he noticed. “Did someone hurt you?”

“Please drop it Bucky,” you pleaded, still unable to meet his eyes. 

“Y/n I swear if someone hurt you -”

“I did it.” you blurted out, surprising you both. You took a shaky breath, and Bucky felt his heart drop, praying he had heard you wrong. 

“What?” he asked, barely audible. The only noise was your heart hammering in your ears. You swallowed, looking down at the ground and fiddling with your sleeves again. 

“I hurt myself sometimes,” you said with a small shrug. “It helps.”

“With what?” he asked, carefully. 

You met his eyes, tears pricking your own. “Everything.”

Silence. Bucky walked towards you slowly, pulling you into a hug, as you closed your eyes, silent tears falling. “Why didn’t you tell me?”

“I didn’t know how to.” you said simply. “I was embarrassed and ashamed, and I didn’t want you to blame yourself.”

He held you tightly, rubbing a hand up and down your back as more tears fell despite you trying to hold them back. “Can I see?”

You pulled back and tensed up, looking at him. “What?”

“Show me your scars,” he said.

You shook your head slightly, confused. “Why?”

“Because I want to see how many times you needed me and I wasn’t there,” he whispered.

You looked at him for a moment. “Bucky, I can’t do that, I -”

“Please y/n,” he whispered. “It’s just me.”

You studied him for a moment before nodding. With shaky hands, you pulled the sweatshirt over your head, dropping it on the floor and resisting the urge to cross your arms. You stepped out of your sweatpants next, keeping your eyes downcast. You heard a sharp intake of breath from Bucky, but you weren’t able to look at him yet.

Bucky felt his heart shatter at the scars littered across your arms. There were so many marks, he didn’t want to even think about how many there were. He felt tears prick his eyes but he knew he had to be strong right now. It pained him how much you were hurting and how oblivious he was. He took your hands in his, you still unable to look at him.

 “I’m so sorry it took me this long to be there for you.”

You shook your head, looking at him. “Don’t do that to yourself, please, it’s not your fault Bucky. You’re the reason it’s not worse.” You turned around and crossed your arms. “ I’m sorry, Bucky, I didn’t know how to tell you. They’re ugly, they’re disgusting. I’m disgusting. Who’s so fucked up that they have to slice open their skin to make themselves feel better? I hate myself more than anyone I’ve ever known. How pathetic is that?” 

“Y/n, can you look at me?”

Trying to blink back tears, you met his gaze again, his eyes glassy. “Your fight is our fight. None of this is your fault, don’t apologize for how you had to fight on your own. I’m here now, okay?” His hand ghosted over your scars. “These scars right here are your battle scars. They tell your story of how strong you are. Never be afraid or ashamed of that, okay?” 

You looked down, still embarrassed. 

“Hey, y/n. It’s okay.”

Before you could respond, Bucky took off his own shirt, something he had never done in front of you. Your eyes found the scars where metal met skin, most of them faded but had obviously been deep. You reached your hand out to trace over his scars.

“When they gave me this arm and they were starting to tortue me I would scratch at it. Whenever I had been out of cryo for long enough I would start to remember and claw at it too, before they wiped me again. I thought I was a monster.”

You shook your head. “No, Bucky that wasn’t your fault, you didn’t ask for Hydra to do all those things to you.”

“You didn’t ask for your mental struggles either. So why are you ashamed?”

“You didn’t ask for the metal arm, you wanted to get rid of it. It wasn’t in your control. This, what I do, I choose to do it every time. It doesn’t feel like a choice but I still pick up the knife.”

“But I bet if you could you would choose to put it down, yeah?” he brushed a piece of hair out of your eyes. “It’s okay y/n. Don’t be ashamed of how you helped yourself survive.”

You nodded, taking a deep breath. “I’m sorry.”

He shook his head and pulled you into another hug. “Don’t apologize for letting me be a part of your story.”

[matsbarzal]

can I please request angst #14 with Petey??

angst #14. "are you going to talk to me or?"

pairing: elias pettersson x reader word count: 1.3k warnings: angst (happy ending)

Elias Pettersson knew he was good at lots of things. He knew he was a good person, a good friend, an even better hockey player. But the one thing he wasn’t good at? Understanding what he had done to upset you.

It wasn’t that he didn’t have a relatively good understanding of the stupid things he did, he knew he had made plenty of mistakes in your relationships, easily fixable ones, really. Except this time.

It had been almost four days of complete radio silence, no text, no call, no FaceTime’s, nothing. You had sent him a thumbs up the moment he landed and told you he had landed, and no response since. Elias could easily tell you had been on your phone, snapchat stories and twitter likes popping up on both his feeds every now and then, but he could not fathom why you hadn’t texted him in days.

You had fought hundreds of times before, little spats here and there, petty arguments that just turned into nothing when he brought home your favourite food, but never an argument to the extent that you wouldn’t even text him.

“You alright over there, Petey? Lookin’ a little queasy… oh shit that rhymed, look at me go,” trying to ignore Brock was even more difficult than trying to understand why you weren’t texting him, especially when said blonde was his best friend and could pick up on every social cue Elias was giving off.

“Fine, yeah.”

Shrugging his shoulders slightly, the Swede thumbed through his phone, bringing up your contact card and then exiting out every few seconds. “Y/N still not texting you? You sure you didn’t do anything before we left?”

Tossing the phone onto the table in front of him, Elias groaned as he tried to rack his head for what he could’ve done wrong before leaving Vancouver. There was a multitude of things it could be, there was a spat right before he left the apartment, an argument over moving the cars, which somehow turned into him suggesting that the two of you should get a dog.

The Swede couldn’t pinpoint an exact moment in your last two days with one another where he might have upset you to the point of not speaking.

Halfway across the country, your eyes had barely left the box you had found sitting in Elias’ top drawer since he left. It was all you could focus on, your eyes constantly moving to find the little black box that you had moved to the top of the dresser, its closed lid haunting you, taunting you the more and more your eyes peered to it.

Elias hadn’t made any indications that this was what he was pushing towards, you hadn’t even realized he was considering this. Two years into a relationship, you knew it was possible, but you just didn’t realize how possible.

You loved him, you’d be lying if you said you didn’t, but did you love him enough to get married? Maybe. But add in the constant bickering, the continuous fights, the never-ending spats that had no regular conclusion and usually just consisted of some form of idiotic makeup in the hopes the both of you would forget about what you were arguing for anyways.

The silent treatment may have been petty, all of Elias’ texts going unanswered, snapchats only being sent back every time the timer would appear next to your streak. You knew it was childish, and was probably terrifying your boyfriend, but your brain couldn’t fathom what to do, couldn’t fathom what you wanted.

The game against the Canadiens had been explosive, the Canucks losing horrifically, and Elias’ play just an even bigger catalyst to the team. It was the first game you had watched where he hadn’t played his best, the turnovers were consistent, his numbers were down, his penalty minutes were even higher than usually.

And you knew there was a large possibility you were the main cause for his deterioration of play.

Pulling up your phone from its spot stuffed under the covers, you scrolled until you reached his contact name, the little blue dot beside it just an indication of how many messages had gone unanswered in the last few days. Before you even had the chance to send a message through, his contact name appeared at the top of your list.

are you going to talk to me or am i going to come home to an empty apartment tn? not sure what i did wrong but this isn’t fair

You could feel the guilty instantly seep through your body at the text message, your eyes welling up with unshed tears at the message that came through. Elias was your best friend, the epitome of everything good in your life, and something about that just terrified you.

i’ll be here when u get home, ‘Lias. have a safe flight xo

A large sigh of relief left the Swede’s lips when the three bubbles popped up under your name, an even bigger sigh leaving his lips when you said you’d be home when he got there. He allowed his phone to drop in between his legs, his eyes focusing on the iPad in front of him, currently playing reruns of New Girl, your favourite show to watch together.

Almost six hours later, you heard the sound of the lock clicking, the door swinging open to reveal a dishevelled and thoroughly exhausted-looking Elias Pettersson.

“So, are we going to do this now? I told Brock to set up his guest bedroom, I’m not arguing all night so let’s just get this over with,” his keys were tossed onto the centre island, his eyes never leaving yours as you tried to rack your brain for what to say.

“I found the ring… in your top drawer.”

Your stomach turned as you watched the array of emotions fly across Elias’ face; confusion, frustration, anger, sadness, everything smoothing together before he placed a stoic look across his features.

“You freaked out and ignored me for almost five days, because you found a ring in my drawer?” The scoff fell from his lips almost beautifully, his features twisting into annoyance as he looked at you.

“I just… I didn’t know how to react. We argue about everything, ‘Lias. We literally fight about the colour of the sky, and you’ve already bought a ring?”

Moving so he was sitting on the couch opposite of you, the Swede turned so his entire body was facing you, the stoic look now turning into a look of concern.

“Y/N… we fight about everything because that’s just how we are. Our fights have never, ever turned into anything serious. We argue with each other because we both never want to be wrong, that shouldn’t be a reason for you to freak out and not want to marry me one day, my love. Just because I have the ring doesn’t mean I want to get married tomorrow. It’s my grandmother’s engagement ring, Emil let me have it for the day I eventually propose to you. I didn’t buy it, it’s been sitting in that drawer for ages.”

You could feel the embarrassment settling in your stomach at his words, your stomach turning as you tried to think of a response. The only thing you could muster up was an apology, your eyes never leaving your hands as they twisted amongst each other.

His body moved closer to yours, one arm wrapping around your back as he gently pulled you into his side.

“You don’t need to apologize, just maybe instead of going ghost, argue with me instead? Since when are you one to hide your feelings, especially something like that?”

Shrugging your shoulders at his words, you felt his lips press against the crown of your head gently, his hands squeezing your side as he did so.

“Pinky promise that you won’t do that again? Scared the shit out of me and Brock, and Brock never gets scared.”

Pushing your pinky finger towards him, he wrapped his own around yours with a smile small, his head pressed against yours as he squeezed your pinky with his own.

“And quit going through my drawers, nerd.”

“Don’t leave your clothes in the dryer then and I won’t have to put them away for you, Pettersson.”

note: thank you for requesting this!! i hope you enjoy, and it's everything you wanted. it's not too angsty, and it has a happy ending so hopefully that's perfect. <3

[lovelybarnes]

saudade- l. laufeyson

pairings: loki laufeyson x reader, mentions of other loki characters warnings: loki tv show spoilers, probably tva inaccuracies, mobius being trusted even though i don’t actually trust him lol, mentions of death, tears, a little sad angst but happy ending, ooc characters?? possible mistakes because i can't read this again skjfj about: requested, DF26 with TVA Loki running into the variant of his dead spouse a/n: thank you so much for requesting! i loved writing the last scene so much

loki has narrowly avoided the tva for years, opportunities much better than this and chaos a lot more chaotic than this have already been caused and passed. so the how and why he has been taken in at this very moment- while he’s eating at one of those fast food places you used to like- is very, very unknown to him. he should know, however; you’ve explained to him the tired concept of time traveling many times before, although the most important things were told to him when he thought you a mere mortal like the rest- something you were not- and could not possibly know something he didn’t- also something very untrue.

but the reasoning for his capturing is not at the front of his mind- although close- his main objective staying on how to get out of this unknown place and go back to looking for you- whether the fragile fabrics of reality and string of the timeline fray and break or don’t. he knows it possible, having seen the avengers do something similar, so why can a god like him not?

he’s ripped many holes, and he supposes the consequences for them are finally catching up to him, a lot sooner than he’d like. in another world, he’d already have you, and, with you by his side, you both would’ve been out long before, or never captured at all. although, he supposes, in a perfect world, you never would have been taken away from him in the first place.

he knows stopping for food he didn’t even necessarily need- or, really, like- was not a smart decision. he’s realizing exactly how not-smart of a decision it was with every passing second that the fools in armor drag him along the halls. the stop wasn’t needed, much less planned, but the memories the greasy food and dirty restaurant brought were too pleasant- a break full of you in the nonstop mission to find you. he could nearly feel your fingers touching his, hear your voice urging him to at least try and your bubbled laugh when he cringes. the fizz of the soda had made him grimace like the first time, except there was no you to giggle at it.

loki nearly thinks it was worth it. nearly.

when the guard shoves him into another room, loki takes a second to examine the exits, barely noticing the man at the desk. the person next to him pushes him further, dropping the tesseract and various stolen pym particles on the desk. loki takes note of where the man puts them so he can steal them back.

the guard stops with him in front of a small elevator, pulling a lever and waiting. loki looks at them, “where am i? get me back right now, i have things i must attend to.” the guard only looks at him, and loki scoffs, “i am loki of asgard, god of mischief and trickery, believe me when i say there will be deadly consequences if you do not do what i ask.”

the guard huffs a small laugh, “i’ve heard that before. we’ll see.”

the doors in front of him part, opening to a room he’s rammed into. he looks back the guard, one foot already out when he’s suddenly back where he was, watching as the entrance closes. he senses the machine before he can have a good look at it, a claw that he’s seen too many variations of beginning to poke at the fabric on his shoulders. he swats it away, standing tall as he glares at the smiling machine. “absolutely not! this is high tech armor, only few of this exists.”

the tech on the machine turns the grin into a frown, pulling back the talons and instead extending another apparatus that scans at his clothing, removing them with a yellow glow until he’s completely bare. he looks down at himself before looking back up at the face, pointing a finger, “now what-”

his words are cut off when he falls through the opening ground, falling onto the bottom room, now dressed in an uncomfortable tan jumpsuit, orange letters reading TVA on the left breast. a bored man in front of him pushes a pile of papers to him, “please sign to verify this is everything you’ve ever said.”

loki ignores his words, pushing it back, “i need to find someone, stop the absurdity.” the man only blinks as a machine whirrs, printing a piece of paper he reaches over to take and place on top of the pile. he hands loki a pen, “sign that too.” loki frowns, “did you not hear me? i have important things to do.” the machine does it again, and the man repeats his motions and shakes the pen in his hand. “that, too.” the god only sighs in frustration and signs, slamming the pen down before he’s dropped again.

another man greets him in a monotone, not even looking at him while he reads off the clipboard in his hands, “please confirm to your knowledge that you are not a fully robotic being, were born an organic creature, and do in fact possess what many cultures would call a soul.” loki’s eyebrows furrow, “i’m not a robot- how many people don’t know?”

“thank you for confirming, move through,” he requests. loki glances at the machine in front of him before stepping through it, a small picture printing after he’s on the other side. loki catches vibrant orange and red with hints of green that overcome any other color. “through the door, please.”

-

he encounters the same guard from before with a frustrated glare, leading him to what looks like a courtroom, a woman sitting in the middle, reading off a file. “variant L4293, aka loki laufeyson-l/n, is charged with sequence violation 7-20-89. how do you plead?” loki tilts his head at her, “madam, a god- i don’t plead.”

the woman sighs tiredly, “are you guilty or not guilty?” loki’s eyes thin as he observes her. “guilty of… trying to find my wife, yes. guilty of being extremely frustrated, yes. guilty of whatever it is you’re accusing me of, no. not guilty.” loki’s hand curls, trying to use his abilities inconspicuously but dismayed to not be able to. he tries again, only to come up empty as he realizes what is happening. “magic powers are no good in the tva, mister laufeyson,” the judge says absentmindedly. “i prefer l/n,” loki diverts simply, unknowingly catching the attention of one of the attendees. the judge barely acknowledges him, about to say something else before a man jumps up, hand raised, “wait, wait- uh, i have something to add to this. before the court makes a decision.”

the judge tilts her head at the man, pursing her lips before sighing and letting him approach the bench. loki leans in to try to understand the whispers that are exchanged, ending in the judge sending one last look his way before letting him go. “the court finds you innocent- and under agent mobius’ responsibility,” she clarifies, looking at the man and watching him nod quickly. she slams her gavel and motions for the man- mobius, he assumes, to take loki. he stands and awkwardly bows, before going over to loki and raising an eyebrow, “don’t betray me,” he says, words too true to be something playful. loki’s head tilts to the side in slight confusion, watching as the man begins to walk, pausing to urge loki to follow him.

loki ignores the activity through the windows of the hall, choosing to concentrate on mobius. “why did you do that?” he wonders aloud, suspicious eyes following him as his head peeks into halls. “let’s just say it’s a favor, although you’ll be on thin ice forever.”

“favor for whom?” mobius doesn’t answer, turning a corner. loki exhales sharply before following him, continuing to pry as he briefly heeds his surroundings. the sight of a woman in a suit much like mobius’ catches his eye, her back to him but he recognizes the shape of her shoulder and the color of her hair. he looks away, pretending to concentrate on the clock thing on the television but actually chasing the overfamiliar features to a face.

the sound of your voice- something he hasn’t heard in an obscenely long time- craved for so much longer it seems like a lifetime, snaps his attention to what surely must be a cruel joke. he can tell it’s you now. you’re standing there, head tilted at the same receptionist man and chuckling exasperatedly, “come on, casey, we’ve been over this. a fish and a lion are not the same thing-”

“but a lionfish-?” casey asks, and loki is pushing away the guards already, because you’re there, you’re solid and laughing like you used to and you can’t not be real. he can distantly hear mobius’ voice telling the guards to let him go as if loki hasn’t already taken care of that, walking over to you with quick and quiet footsteps. his fingers circle around your wrist first as an assurance, and when you turn, hand still in his, eyes widening when you notice who he is, he pulls you into him completely. your arms wrap around him barely seconds later, finally registering the person in front of you as you squeeze him. “loki?” you whisper, inhaling the same familiar scent of him that you haven’t had in what seems like forever.

“i missed you so much,” he says, hands wandering over your back, touching your arms and your shoulders and your hips just to touch you. “me too- i didn’t- i thought i would never see you again.” your tears are falling on the fabric of his jumpsuit, small tearful gasps escaping your lips while you tug him as close as you can, tangling your fingers in his hair and shutting your eyes at the familiar feeling. “oh god, you’re here-”

“i missed you so much,” he repeats, and you finally notice his words, realization like electricity, making you tremble and sigh softly. “what does that mean?” you question, already fearing the answer and already knowing the effects: the mess of his usually kept hair and the red tint of his eyes, like a sheen of sadness that stains the color of the eyes you have missed for so long. loki pulls away from you only to look at your face, trace the shape of the lips he’d spent hours of the morning pressing kisses to, memorize the curve of the nose you’d scrunch in a laugh when thor was a victim to one of his tricks.

“i have been looking for you, darling,” he murmurs, fingers running over your fallen tears while you notice the shine of his eyes, the tears that enhance the love he has for you. “because i’m…” you don’t want to finish your sentence, and you can tell loki doesn’t want you to either; he scans your features, small smile peeking through the shock and grief.

“i didn’t… mobius didn’t show me that, i thought-” your eyes flicker to the man before settling back on loki, the weight of the ring he’d given you feeling lighter now that it had found its pair. the various eyes on you don’t go unnoticed, and neither does the look mobius sends to the rest of the workers, indicating for them to go back to work. the cold of loki’s skin is comforting to the touch of your warmth, and you find yourself back in the summer afternoons where you would settle with your husband to read books, rubbing cool fingers on the hot of your skin when you felt suffocated by the heat of the sun.

another tear slips from your eyes when you realize you don’t have to imagine anymore, there’s no need to search for your memories and shut your eyes for them to run over you. your lips are on his when you can’t help it anymore, eyes squeezed close and salty tears dropping from your chin when it finally settles that he’s here and he’s yours and he’ll never be gone again.

he’ll make sure of that.

[shihalyfie]

With Digimon Ghost Game starting, I thought about how different it is from previous Digimon series, though it's still undoubtedly Digimon... and then I realized all Digimon series are like that. So I wonder, what do you think sets each Digimon series apart from the rest?

I think both Ghost Game but also the reboot have been a wake-up call for people in terms of realizing that likes, dislikes, and tastes are subjective, and I think it's especially important in terms of this fanbase that is so obsessed with this idea you can objectively rank things by quality -- especially when each series is often deliberately trying to have its own identity, so it's arguably apples and oranges -- and forcing this idea of what's Good and Not Good on everyone else (especially when there's a nasty double standard phenomenon where Adventure and often Tamers get to be so impervious to criticism that people conveniently forget they're perfectly capable of being scrutinized for a lot of things they're weaker in). Very frustrating to see everyone who likes less popular series treated as if they have to accept that they like a "badly written series" for some things and everything else is a guilty pleasure, which I find to be incredibly dumb.

The most important take-home here is that the fact each series has its own identity is always going to be the main factor in what makes it "good" or not to you, not some arbitrary bar of comparison that's based on some narrow-minded view of "good writing" (which is usually unreasonably based on Adventure). For instance, the reason why 02 is so important to me is because (see below), to me, it has the highest amount of meaningful, important life lessons and themes that it wanted its audience to remember, to the point that I frankly do not care about where the plot goes in comparison. That may not be the case for everyone else, and that's fine, but should my tastes be called unreasonable for that? I think we're also coming to realize that because of Adventure (and kind of 02)'s precedent, so many people have been judging series purely by how intimate their individual character development style is, but this is unfair because Adventure and 02's ridiculous level of character depth to psychological detail is extremely unusual and unrealistic to expect of others; Adventure and 02 only achieved this by practically considering the plot utterly subservient to its character arcs, and it's arguably why they have some of the weakest "plots" in this franchise. It's so bizarre that I can see character development in other Digimon series that outstrips even most kids' anime on the market, but it's not as much as Adventure's so apparently it's bad. And, moreover, as it turns out, some people have priorities other than characterization; just because Adventure had that as its strength doesn't mean that's the only thing anyone should care about. Is the plot fun? Is there a meaningful message besides characters (also important to me)? Do you vibe with the tone being dark, or being silly? How much do you care about resourceful usage of Digimon lore? That kind of thing. Everyone is different, so that's why everyone has their own priorities. If you’re someone who prefers darker content, you may not realize that writing good and well-timed comedy is actually a very, very difficult task, especially when said comedy simultaneously has meaning (in comparison, it’s surprisingly easy to write “dark” but shallow content).

I think it's fair to like every Digimon series for its own thing, depending on your personal tastes. I can't speak for everyone, but my impressions are that it has to do with the following:

Adventure: Significantly easier to understand than 02 due to its more straightforward plot, and focus on individual character development ("individualism" being a strong point here). In terms of characters, it goes a lot into some very real social problems (the divorce around the Ishida and Takaishi families and the pressures surrounding Jou, for instance) in a very realistic manner. Also, it has that sense of mystique and absurdism to the Digital World that's both whimsical but also mysterious, and while 02 has it too, Adventure's the isekai story that has it the most.

02: The first is its focus on the importance of human relationships and the compelling group dynamic unparalleled in this franchise, and the second is its important themes and life lessons that I think are some of the strongest in said franchise. I have a whole tag for the ridiculous amount of nuance packed into every detail and dialogue line for this series, and I think every time I've rewatched an episode I've learned something new about it because there are so many things that clearly wanted to be said in each line. The entire series is basically an unpacking of the feelings of insidious self-hatred and the crushing feeling of being subject to society's expectations, and ones that are so deep-seated that you often don’t even have a single answer to how to unpack it (for instance, Miyako hardly has a tragic single event in her backstory, but she says and does a lot of things that'll be painfully familiar to those who have experienced chronic anxiety). Almost every plot point can be said to connect to each character arc in some way, and the mantras for appreciating and treasuring your own life and living life the way you will make this, in my opinion, the strongest series in terms of speaking to those who struggle with this kind of existential crisis for reasons of depression or otherwise. (Oops, I think I went too passionate about this; my biases are obvious...)

Tamers: I think it forms an interesting study and unpacking of the kinds of things you take for granted in Digimon or the monster-collecting genre in general, and an examination of how they'd work in a real-world context (although 02 had a focus on daily life, it didn't quite merge the Digimon and the real world factors until very late in the series). Also, probably the second highest on "hard sci-fi" (the only one that outstrips it is probably Appmon, but Appmon has a very different, more simplified take on it).

Frontier: A series that lies somewhere between Adventure's scale of individualism and 02's scale of group dynamic, and one more discussing the feeling of having your heart hardened from being an outcast, and what it takes to accept the idea of opening yourself up to others again. Recommended for those who like transforming hero and magical girl stories, too. From the Digimon perspective, also the one with the most detailed and consistent Digital World mythos.

Savers: I think this is the series that most drives home "life is complicated" (i.e. there isn't a single mastermind behind everything) in the most tasteful manner, because while it drives home the point that you can't just simplify everything into a good side and a bad side, some bad things really are evil (hi, Kurata), and it doesn't change the fact that everyone's responsible for cleaning up the fallout. The portrayal of the evils of government bureaucracy is probably the most realistic out of any of these series.

Xros Wars: For those who like fun, most of all! For those who like seeing Digimon finally get more of the spotlight and individuality since so much of it had been geared and biased towards the humans prior to this. For those who really like worldbuilding, and, after all, this is called Xros Wars, so it's interesting to see shakeups on the usual formulas in the form of the different factions and their priorities. Hunters is very different in tone, but I do think they have some of these aspects in common; that said, it being closer to having single partnerships brings it a bit closer in line to conventional Digimon partnerships, and it also has more of a picture of daily life. Also, as much as Tagiru is probably your-mileage-may-vary since he's not exactly a very nice kid (I get it if you don't vibe with that), which may also rub those hoping for not nice kids to become nice the wrong way, I do have to say I find him to be one of the funniest characters in this entire franchise, and you'd be surprised how hard good comedy is to write.

Appmon: Probably one of the strongest theme narratives besides 02, since it has a very clear and obvious theme about the importance of kindness in a world where technology is dominating and we're almost encouraged to strip the feelings out of everything. (Bonus for more straightforward plot than Adventure or 02 while still retaining a lot of its elements in terms of how to characterize them.) Also the first series to be speculative about the near future instead of taking place around the time it airs, and it's very obvious it wants to provide important and necessary commentary about what we need to do in the incoming era, especially as a lot of what it has to say becomes increasingly relevant.

Reboot: For those who like Digimon mythos and null canon -- this is probably the only series to show it off in this level of detail -- and the kind of cool action fights that would usually be saved for the climax in prior series (and animated in much more intimate detail with battle choreography than prior series would have). There are a lot of people into this franchise who felt like it genuinely was not making enough use of its Digimon roster and its potential because it kept going back to the old standbys (especially Adventure-based ones), so it was a huge relief for that crowd to see attention finally being paid.

[writing-in-april]

Converging Parallels

Spencer Reid x Female Single Mom Reader (Spencer’s POV)

Summary: Spencer goes to a support group Penelope suggested after the death of Maeve. He quickly connects with a single mom who’s experiences have been similar to Spencer’s.

A/N: I’m prefacing this by saying I know shit about math and am horrible at it lol 😂 so my math analogies might be horribly off 😂 This is my fifth fic for my 30 fics in 30 days for April- this one was requested by @samuel-de-champagne-problems- this is the request- (go check out there fics too!!) I tweaked it a little bit so I hope you enjoy it 🥺 a lot of it is confined to Spencer grappling with his thoughts- but there is dialogue I promise lol 😂I had a good time writing it ☺️Thanks for all the love recently and if you want to drop me an ask for any reason you can do so here- I’m always looking for some new friends on here (I promise I don’t bite lol) Thanks again and hope y’all enjoy 🥰

Warnings: Angst with a hopeful ending, General dealings surrounding death and grief, Mentions of Maeve’s death, Reader’s a widow, Guilt about moving on, Reader’s child is a daughter

Main Masterlist Word Count: 1.6k

Parallel lines were never supposed to meet, they were set on a strict path following in a similar direction with no hope of ever converging. At least that’s what was the widely accepted definition by anyone with any authority in the field of mathematics.

My own math degree was being contested by a set of two lines set on a collision course with each other, though they were not supposed to. Logically I knew that the two lines were not beholden to any mathematical equation as I was referring to two human lives.

We were set on a similar course, only slight differences that seemingly were leading us to different destinations, or at least I tried to convince myself that. I tried every night to convince myself that she was only a friend, that it wasn’t what she wanted and I was desecrating the memory of the person I still claimed to be the only person I loved.

Logically I knew that by forcing where I wanted our relationship to go, what I thought the universe wanted to happen wasn’t what I truly wanted. The reason I had boxed us in so vehemently was only because I was scared and guilty, I knew it too. I wanted us to converge, but logic doesn’t always win out when dealing with guilt.

It had all started with Garcia mentioning that I should consider going to a grief support group after the death of Maeve. Every action I took was being weighed down by her death, whether I cared to admit it or not.

Garcia had good intentions when she suggested going to this meeting to me, of that I was sure. It isn’t that I saw no reason to go to the support group, I just knew that it would dreg up all the unwanted feelings that bombarded me enough already.

The flier in my hands felt heavy even though it was made of paper it weighed my hands down enough where I almost dropped it. I could have let it go then to have it fly away, being taken by the wind, that would let me forget about it. But, I knew it would have only made me forget for a short while, I’d inevitably get questions from Garcia and my own mind wouldn’t let me forget the reality of what had happened. And, logically I knew that it would most likely help. So instead of letting the wind take it away, I crumpled the paper slightly in my hands out of frustration, moving my feet forward one step at a time to enter the building.

That’s where I had first met her. When I first walked in I didn’t immediately lock eyes with her or anything, my eyes were too fixated on the ground for that to happen.

I only noticed her when she was invited to tell her story. Her strength instantly captivated me, almost making me feel like a failure at first. Her story of how she lost her husband was eerily similar in some aspects, especially the cause of his death. The feeling of failure on my part to be strong swirled in my gut as she recounted her struggles that were so starkly similar to mine. She even had a young daughter to take care of as well, she often spoke of her whenever she told her story, almost neglecting herself sometimes- which she admitted she knew she needed to work on.

However, when she came up to me to talk after the meeting was concluded my opinion switched to view her as inspiring. We began getting coffee after each meeting, sometimes talking for hours, sometimes sitting in silence. Whatever I needed she was there to give it to me, whenever she needed help I wanted to be there too.

To see our almost parallel lives begin to converge at first felt like someone had driven a car into traffic about to collide straight into my path. My mind would not stop arguing about whether or not I should pull away from her or not, like guilt was on shoulder and my potential happiness was on the other.

—-

Guilt was eating away at me from the inside out slowly, that part of my mind would not stop clawing away any good aspect of my relationship with Y/N. The relationship between us had shifted in recent weeks, tension invading what had once been a simply platonic connection formed through our shared experiences. When it became clear to me what our lingering stares and touches were leading to, guilt had reared its ugly head to burrow its way down deep and take root.

It had disrupted my sleep even more than usual, nightmares ranging from Maeve guilting me to the visuals of her death. The images of Maeve and any time I had shared with her invaded my brain at all hours of the night, haunting me. I scrunched my eyes up tight, maybe that would banish the images from my brain. That only made the guilt worse it seemed as I now felt double the guilt for wanting to banish the thoughts about a person I still claimed to love.

My hand hit the pillow in frustration, then grabbing it and throwing it to some unknown location across the room. Sitting up, no longer being able to tolerate laying down knowing that sleep would never come, made my exhausted joints beg me to lay back down. I leaned forward to put my head in my hands, also tangling my curls with my fingers. I tried to think about what Y/N had said to me at one of the first meetings I had attended, my normally impeccable memory struggled as the memory of Maeve’s bloodied face would not leave. Screaming internally was the only thing that seemed to work to push the words I was looking for forward,

“I try to think about something my therapist told me- Although it's difficult today to see beyond the sorrow, May looking back in memory help comfort you tomorrow.”

The quote wasn’t something groundbreaking or new, though the origins were unknown. But, the words still struck me deep everytime I forced my memory to call back on them.

The words she had spoken in the meeting when talking about her husband made me want to try too. She inspired me whenever she told snippets of her story to me or the rest of the group, her story had been similar to mine- with the added element of having a daughter to raise on her own.

Her strength was what had drawn me to her initially, like a moth to flame. Our relationship wasn’t even a friendship at first, just two people sharing advice (more her giving it to me) about how to deal with crippling grief.

What had blossomed since then from death and decay had thrown me for a loop. I hadn’t been expecting for this to happen, I never even thought romance would be an option for me again. I thought that I would have one great love and that our time in the sun had ended along with any option for romantic interests in the future.

Then she came along and spun my thinking upside down, not that I blamed her at all for it. She originally had just reached out to help me, not to pursue any romantic connection purposefully while I was vulnerable.

She continued to stay with me to help despite my urge to push her away even though that’s not what I wanted. I tried hard to convince myself that our lives were never meant to connect, that we were destined to remain apart.

It took many more sleepless nights for me to realize what I hadn’t seen for so long, even with Y/N reassuring me at every turn. Maeve would want me to be happy, I was sure of it. So I’d try to let myself, no longer letting myself get hindered by my own swirling thoughts of guilt that Maeve wouldn’t have wanted me to feel.

—-

Asking her out on a date had been surprisingly easy once I had let go a little of my guilt. We had chosen to go somewhere different than a coffee shop, since we already did that often. I took her out to more of an upscale restaurant than she was used to, which may be too fancy for some for a first date, but she deserved it. She worked so hard to take care of her daughter and even me to some extent.

At the end of the night we were both standing outside her door ready to go in to relieve the babysitter for the night. I had already given her a chaste kiss for the night, even though my nerves kept trying to talk me out of it. I was about to say goodbye when she grabbed my wrist to hold in her hands. She looked afraid at first, almost like she wondered if I wouldn’t like her touching me. Touch may bother me with most people, but she wasn’t most people, I’d happily share germs with her. When I did not pull away relief was evident in her eyes, then taking a big breath before speaking,

“Would you like to meet my daughter?” Her voice was shaky, understandably full of worry.

“Of course.” In the past hesitation would have littered my voice if she had asked me the same question. But, my thoughts had been slowly shifting to want our lines to converge fully and with no fear. Sure, Maeve would always capture a place in my heart, but I was ready for our lives to collide. Our parallel lives converged into one line, with a set path forward. It may get derailed from its intended path, but we would be stronger together than apart.

Ask me anything

—-

Tag lists (message me if you want to be added):

All works: @shotarosleftpinky @oreogutz @90spumkin @kyra-morningstar @s1utformgg @takeyourleap-of-faith (damn tumblr just let me tag them)

All MGG characters: @muffin-cup @willowrose99

Spencer Reid/CM: @calm-and-doctor @destiny-tsukino @safertokiss @slutforthegubes @onlyhereforthefanfics @jareauswifey

[youwontlikethisblog]

The Art of Subtlety in YSBTLF

Now I have yet to really talk about Betty and her development. Currently I'm on the episode where Betty goes to the bank to secure a loan through Terra Moda and it got me thinking.

Slowly we've been seeing the change from Armando's behavior towards her. Now it's been very subtle. One of my favorite scenes that display's the subtlety of his behavior is when Betty and him are being driven around by Don Hermes.

Right as they are leaving the building where they went to sign some documents to start the process of Terra Moda seizing Eco Moda Betty and Armando are talking.

She often jokes about her ugliness and as a person who in society has been outcaste by the mere fact I'm fat, I get that. We don't use it as a way to downplay our worth, better yet to find the humor in something that hurts us deeply. This is something Betty does often. Usually Armando agrees or goes along with it. The scene however caught my attention because after Betty jokes that she didn't get hired due to her ugliness she laughs and walks away and Armando stays behind and nods slightly, as if understanding that her ugliness could cause that BUT we then hear Don Hermes lovingly say "My beautiful daughter, did everything go well?" and Armando's face lights up. He sports a slight smile and stares at Betty as she laughs and tells her dad that everything went well.

The more I watch this show the more I realize that we see a lot of contrast between Betty and Armando's personal lives. While Betty's parents are very present in her life, constantly at the fore front of her ethics and morals as well as there to keep her grounded and realistic, though at times one can assume over baring and over protective, her parents love her deeply and you can tell. They treat her as their most precious possession.

However Armando's parents are a different story. His father always expects the worst of him, his mother coddles him but with conditions. His parents are only ever shown or involved when it comes to the company and/or his relationship with Marcela. Often when they do talk it's always about the company or again the relationship he's in with Marcela. It never goes more than that. We don't see them interact outside of that which causes that parental relationship to seem cold and distant. Kind of like a trophy child. Not really there to celebrate or show love when times are bad. Just there when things are on their terms. They show more interest in Daniel, Marcela, and Beatriz than they do to Armando and even then it's not saying much. In shorter terms, they suck.

So this scene in particular is one of my favorites for that reason. We see Armando, who at first was annoyed and being all pipirs nice to then engaging in conversation, joking, and letting his guard down and that's the thing. Often we see Armando with his guard up but around Betty slowly we begin to see him let his guard down.

Now in particular the reason why I bring this up is because from the get go I've always been interested in the complexities that Armando's character offers, but Betty is this different story. While Armando is complex in dark ways, Betty is complex is light ways. Her complexities aren't a form of harm rather a form of self preservation but still seeing the best in people, while Armando's complexities are in self preservation at the cost of others.

They both struggle in a sense with self worth. While Betty's self worth is rooted in her image and the way society treats her due to her not being societies beauty standers, Armando's self worth struggles are deeply rooted in his person's worth. Meaning that he doesn't find himself worthy as a human if he isn't succeeding, which makes him extremely arrogant. Betty's insecurities make her extremely humble and though being humble isn't a bad thing when there is no balance, her self worth is to the ground and due to this she allows people to step all over her and she often is a people pleaser because of this.

She lets people push her around and doesn't stand her ground when people are rude to her about her appearance. She does when it comes to her work but not as person and because of this she begins to idolize Armando because, unlike everyone before, he sees her as a person, when it comes to work.

This draws the lines, clean and crisp lines.

At work Armando defends her. He defends his decision to hire her. He defends her degrees and her experiences as an economist. This means a lot to her, because as mentioned before, she wasn't getting hired due to her "ugliness" and here comes a man that looks past that and hires her over the pretty one. We understand Betty's crush. We understand why she begins to idolize him even though he shows really crappy behavior at times.

First he constantly yells at her, laughs behind her back, allows his best friend to secretly see her as if she were this attraction in the tent of strange and ugly phenomena at the circus. To then being subtly annoyed when certain people mock her and make fun of her, though this gets him half points because he still allows his best friend to do this.

To end my analysis of Armando's behavior towards Betty up to this point I'll say that as this continues Armando begins to soften up towards her and while no one else picks up on it, Betty does. Which feeds her idolization of him.

Up to this point of the show Betty has been unconditional, even when she has needed to set aside her true feelings for him, she places his before her own. With Claudia, instead of ruining his night she stayed in the room all night long to which later we see Armando feel guilty over it but he gets no gold stars over that. That was a dick move.

Betty constantly shows loyalty, unconditionality, support, and most of all, team work. When he fails she always places herself to take the blame with him. She doesn't let him feel alone in his failures. Betty truly shows to love him. As a friend, as her boss, and as a girl who idolizes him and this moves him because to this point Armando hasn't had that. His parents do not show him unconditionality. His fiancé shows no team work or support and his best friend... he sucks. He is a terrible friend. Here is this girl who gives him all of this and for what? She doesn't ask for anything in return except to work for him. That's why we see the subtle change in him and Betty deserved that and more.

When they went to that cocktail with RagTela, where Armando started to hit on Ms. Colombia, I forgot her name, Betty doesn't seem jealous or hurt by that. In fact she seems unbothered and stayed in her lane, once again the lines being crisp and clean. However later on, when Betty tells Armando that they've got a meeting with Macro Textil and she sees Armando's face light up and ask how he looks, we see a subtle change, jealousy. She showed some of that with Claudia but Armando probably interpreted that as Betty being frustrated that due to that she had to sleep in the office that night. Here he doesn't pick up on it. She laughs dry only to cover her tracks and gets the man his cologne and throughout their meeting with Macro she shows to be a good wing-woman, minding her business of course.

Now let me skip some scenes. They're trying to negotiate a payment plan with Macro Textil. At this point what Armando has said isn't very convincing and Betty steps in, our bright Betty manages to say stuff that makes them think over their offer. At this point Armando has had all eyes on Ms. Colombia but he turns to watch her, with a slight smile on his face, a brief second of staring at her lips and completely absorbed into what Betty is saying and doing.

Now I want to bring us back to the main scene of this post. Betty sitting across her old boss. We have seen two scenes of her old boss and her interact before. Not only to drive the plot, but I believe to show the difference between a boss who was fond of Betty, after all he did say he was happy and pleased to help her with Terra Moda after being her boss for two years and a boss who is... more than fond of her but confused about it(to be fair Armando is so stupid when it comes to feelings the dude isn't even aware he's got them to begin with.) Betty's behavior is respectful and friendly towards her old boss. You can tell she's comfortable talking to him and so on and her old boss is the same. He's respectful and friendly towards her.

Why do I think this is important to the plot of the story?

It got me thinking. When I was working I got pretty close to my manager. He was married and older than me and we got along great. We talked, we joked, we had work discussions and we'd talk about life and stuff. However it was always very respectful and friendly, like a boss and their employee. My manager was very gentleman like. He didn't let me carry heavy stuff(As a fat woman I'm not used to that lol) however the line was there, Boundaries were there. Obviously we didn't have conversations that were too personal or even that personal at all. I could see Betty and her ex-boss being the same. A simple boss to employee friendship but if I had a... ship of sorts with my boss like Betty does with Armando my sensors of red flags would be blaring.

Think about your greatest friendship with one of your bosses. It's respectful and friendly but you don't cross lines, right?

Now I keep comparing their behavior to my manager's and mine.

That is why they show us, unlike with all the other Banks Betty has talked to, their interactions. To show a clear and distinct line of work related ships. Her ex-boss is truly fond of her but he doesn't cross boundaries and neither does Betty.

My ex-manager was respectful and we talked like an older brother and younger sister would. That was our work dynamic.

Betty's behavior has always been respectful and friendly towards Armando. Their work dynamic has been that she's the smart one and he's the pretty one and it works for them.

Betty's emotions start to blur when Armando's behavior towards her starts to blur. We go from seeing back to back scenes that show separate life styles and personal lives to having them blend in and once their personal lives begin to blend in so do their work lives.

During this day, before Betty goes to talk to her old boss, we are shown the scene when she tells him that Macro Textil was on their way to sign a contract with them that very day. Armando is between Betty and Mario and he talks to Betty. Constantly saying "Betty we did it!" and things along those lines but after each sentence he goes to Mario and repeats the same thing up until he goes to hug Betty.

[EDIT: This allows us to view Armando's personal dilema. Your brain often blurts the first thing that comes to mind and seeing as Armando isn't that bright when emotions are involved, he blurts out the first thing that comes to mind and that is Betty. His first thought is to talk to Betty, to celebrate with her (since she is the reason why that business deal is even happening) but he is prioritizing her, picking up on it and then going to his best friend to celebrate it as well. It shows us subtly the change in him.]

He doesn't even do that to his best friend. Once again, the lines blur. Armando is the first person in this work related relationship to blur the lines and Betty follows suit.

Yes, the hug was work related. Yes he was excited over the fact they could release the new fashion collection they'd been working on BUT he hadn't done that for other deals that they had managed. He didn't do that with the first collection he launched. He's hugged her, up to this point, two other times. Once after the meeting with Daniel where Betty gave him lessons on economics and later when Betty was crying.

This is their third hug. I'm not reading into that hug but what follows before and after.

As I said when writing we're told to keep what drives the plot, character development, and overall story; everything else is thrown out the window. So these subtle changes, behaviors, and quirks we begin to see coming from Betty's interactions with Armando explain why it was so easy for her to be manipulated by this man. They are important because they are meant to show us what is okay and what is not. What is normal and what is not and in small ways their work dynamic begins to shift and the first person to do that is Armando.

because he didn't feed the illusion of love when that sinister plan was created, he fed it when he started to get confused about her. When he started to blur the lines.

Betty didn't just idolatrized him because he defended her work. She did it because he fed her feelings towards him. When Betty showed loyalty he showed to be more fond of her. He went from constantly yelling at her, being indifferent towards her, to trying to watch his tone and temper. When Betty showed unconditionality he showed kindness. When Betty showed support he showed loyalty and little by little we begin to see these two blur the line between personal and work.

The changes are really subtle that they fly over your head but when you pay attention to the actual story and not the romance you can tell when they start and that is one reason why I love this novela because very much like real life these changes are subtle.

Betty's love was really subtle and you can pick up on when she starts to fall in love, whereas with Armando his change goes from being so subtle that you're confused yourself to it being so bam in your face you can't deny it.

In any aspect their relationship begins to blur during these episodes and the clear contrast of that is with seeing Betty interact with her old Boss at the bank.

In the future episodes this theory is proven right when we no longer get clear cuts of scenes that show the difference between their personal lives better yet we get a very muddy and blurry view of their personal and work lives.

Betty's moral, ethics, and emotions begin to change when Armando begins to change. Up to this point Betty has been consistent with her morality, though close to stumbling her father has been there to keep her on the right path. She has been the sweet and loving person she's always been but her character has been consistent up to this point and it's important to note that and why everything that happens after this is the way it is because as an audience we have been warn over and over again and so have these characters but just like in real life we don't always pay attention to the subtle changes until their domino effect starts to make too much impact.

also sorry if this doesn't make any sense it's currently 6:40 am and I've been writing this since like four lol.

[skiyoosmi]

– caramel frappucino ch. 27

marga’s notes. AHHH hello my loveliest readers; i cannot believe we have finally reached this end (well, not really the last chap ‘cause we still have two epilogue-like chaps coming up but yeah)… i hope you enjoy this part!! PLUS LISTEN TO THE SONGS CAUSE AHHHHH THE. MOOD. FITS.

♪ CHAPTER THEME ♪

on the train ride home by the paper kites | quiet eyes by axel flóvent

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 “Do I look okay?” you asked, head turning to your cousin who was casually lounging around your room. For the umpteenth time of the day, Tetsurou released an exasperated sigh, looking away from the game he was playing on his mobile phone and glaring at you while lying on your neatly-folded bed.

“That’s what you’ve been asking for the past hour and I keep telling you yes,” he grumbled as he adjusted his body so he now laid on his stomach, continuing to scroll through his phone and at the same time, muttering some stuff about how he hopes you miss the fireworks show. Seconds later, he let out a loud yelp as he felt something hit him right on the back of his head. He scowled in your direction upon noticing the missing pink hairbrush that was previously in your hand, now on the floor.

“You brought me into this situation so don’t curse on me now. This… is your ship sailing,” you gestured to your face that was fancily styled for the night out. You only rolled your eyes when he childishly stuck his tongue out as a reply, going back to fixing whatever still needs to be fixed.

A few more minutes of doing unnecessary things passed before a knock resonated through your apartment’s front door. Tetsurou immediately jumped up from his position on your bed, giggling when he passed by your form before skipping his way downstairs to open the door for your guest.

To say that your heart was beating loud is an understatement – hell, you could almost swear it’s about to burst out of your chest from its pounding. Stop sweating, doofus! You’ll ruin your makeup, you silently screamed at yourself, feeling the dampness slowly beginning to form around your forehead and neck out of extreme anxiety.

“Y/N! Get your butt downstairs. Your date’s already here,” the teasing and boisterous voice of your cousin echoed throughout the apartment, followed by another giggle after a few seconds, probably because Sakusa replied to his rather embarassing comment. Despite not seeing the two, you felt your face flush; it wasn’t like you’re denying that it was a date… it was just unusual to hear especially when your date was someone like Sakusa.

After gathering enough nerves to face them, you took a deep breath and looked at your vanity mirror for the last time, hands smoothing down your red floral yukata for any crease that formed. Soon, you found yourself bashfully standing in front of the two tall men as Sakusa’s eyes shamelessly scanned your figure. Although he himself was wearing a simple navy yukata, you couldn’t fathom what he was thinking seeing as his face was adorned with his usual mask that was, for some reason, black this time.

“You look nice,” he nodded at your direction while you smiled, returning the compliment you have surprisingly received from him; you knew that your face was red as hell right now based on how your cousin was biting his lips to keep himself from laughing.

“Now, go! Enjoy yourselves and remember to make the wish,” he winked, pushing you both out of the door with his hands on your lower backs. You both gave him a glare that he only ignored, waving goodbye as you went on your way.

“I hope he understood what I said about making the wish though.”

“I’m sorry, he really didn’t mean to,” you profusely bowed your head at the man almost twice your age who was glowering at your companion who, in return, remained unbothered. On the ends of the said man’s feet were his spilled strawberry and milk kakigōri which Sakusa, coming from the old man’s words, knocked over when he bumped into him while walking beside the food stalls.

“Young miss, instead of apologizing when it’s not your fault, you should teach your companion how to be respectful to his elders,” he shook his head from side to side in a mocking disappointment, as if to annoy Sakusa further.

“Are you implying that I am disrespectful?” Sakusa countered, hands clenching a little bit as he tried to calm himself down. He doesn’t need a nameless man almost ruining both of your nights right now. Still, his pride didn’t let him let this one go; he couldn’t give this man the satisfaction when he clearly knows to himself that he didn’t bump into him a while ago. If anything, it was the older man who purposely bump into the two of you – probably cause you kind of looked a little too beautiful tonight.

Sure, he won’t deny that he found you pretty right from the moment he met you, one of the main reasons he decided to keep on talking to you and befriending you instead of loathing you for spilling the caramel frappucino on him. For some reason however, the way you styled yourself tonight made you even more gorgeous in his eyes, if that was still possible.

“Just drop it, ‘Omi,” you harshly whispered, fingers grabbing a fold of his yukata and tugging on it to stop him from engaging into an unnecessary fight. In addition to that, you were pretty sure the fireworks show will go off any moment now; you had to find yourselves a decent place where you can watch the much-anticipated event or else you will seriously sulk into a corner until next year’s festival.

“Apologize,” the man ordered but to no avail, Sakusa still stood his ground; even going as far as grabbing your hands with his and pulling you into the opposite direction. From behind you, you could hear a noise of protest and a ‘you little s–‘ before it was cut off. He kept on pulling you despite your arguments about how he should’ve just lowered his pride and said he’s sorry.

“Why would I say sorry when I didn’t do anything? It’s clear as a day that he’s just trying to prolong the conversation so he could take more look of you.”

“W-what…” you stuttered, not really being able to understand what he was trying to say. As if he was able to read your mind, he let out a frustrated sigh after removing his black mask.

“He had this disgusting look that screams he wants to take you out despite him being older by so much. I’m saying it’s because you look too pretty tonight,” the last sentence he told you immediately caused your face to flush a deep red; you were just so thankful it was nighttime or else you wouldn’t be able to live off the embarrassment of being so flustered from a simple compliment.

A few seconds later, it dawned upon you that he brought you to a rather secluded place by the top of the small hill where you still had a good view of what was about to come. Observing the area, you began to think Sakusa also watches the yearly event, judging by how he knew that this kind of secret place existed. People usually crowded by the bridge since it has the widest space and the clearest view which also meant that on this hill, you two were alone together.

He then took out a large piece of clothing that he laid on the ground, sitting cross-legged and patting the space next to him as he gestured for you to sit as well. Following his request, you gently sat down and looked ahead the reflection of the moon by the river.

“Are you feeling alright these days?” you only hummed in reply, too entranced by the night’s beauty. Ten minutes from now, the fireworks will make it even more beautiful.

“I’ve never pestered you about your… situation with Iwaizumi-san, but I felt like I needed to ask how you are,” he explained upon catching your eyes that were filled with wonder and curiosity due to his sudden question. Your mouth formed a small ‘o’ before giving him a small smile.

“I’m really okay, don’t worry. I just feel guilty sometimes, you know? In my mind, there are just some thoughts that pass by… things like I wish I’ve known so I didn’t hurt him that long,” you let out a quiet sigh, folding your arms over your knee and placing your chin on it. The quiet cricket of the night bugs adding more solemnity in the air as you both talked.

“Do you wish to go back to that time? And maybe be in a relationship with him?” you immediately shook your head ‘no.’

“No, no… not that kind of regret. I wouldn’t have agreed to be in a relationship either way. I was too young and too dumb; I know it won’t work out between us. I mean… I just get that feeling that we won’t.”

“Then why do you feel sad?” you mulled over his question, trying to form the right words that will truly explain how you really felt with everything that has happened.

“It’s something like… I wish I’d known so I could’ve rejected him right away? Is that cruel? I mean, maybe if I did that, we wouldn’t have gone through such pain for such a long time, get rid of the false hopes we had for each other. Hell, I don’t even remember anymore what it feels like to be really happy without thinking of such thoughts,” you sadly chuckled before shrugging and leaning back as you saw the people from faraway beginning to take their phones out, signaling that the fireworks show was almost beginning.

You felt Sakusa scoot closer to you; something you didn’t expect since you knew he never liked getting close to another person. You were sure as hell by now that all throughout the night, he was acting really weird; something different compared to his usual demeanor – not that it freaked you out though. If anything, you liked his slight clinginess too much… but you didn’t need him being weirded out so you opted to not saying anything.

“Is that your wish?” he quietly asked, making you jump out of surprise for his sudden closeness. His nimble fingers were on your chin, turning your head so you could look at his eyes that screamed a thousand feelings.

“W-what?” you breathed out, internally cursing because you didn’t even know how many times you’ve stuttered tonight.

“I’ve read somewhere that if you make a wish and… give the person beside you a kiss, it will come true so I’m asking you, is that your wish? To be truly happy,” he whispered, eyes flickering from your eyes to your lips. If this was any other person, you were pretty sure you would’ve slapped the wits out of him due to his statement’s ridiculousness but for some reason, you couldn’t move away from him.

“I… I think so,” you meekly nodded, gulping as he seemed to have no plan on moving at all. You think you can hear the fireworks crackling as it began to light up the sky, booming over the night sky as it tried to get your attention 

“I’ll try my best to make you happy then.”

… but the feeling of soft lips crashing into yours as soon as he said what he wanted to say was enough to leave you distracted. It wasn’t like anything you have imagined before; this – this was full of love, magic and adoration, something you have missed when you often wondered what it felt like to have a kiss. Heartbeats powering the sound of the explosions and sparks as he intertwined his fingers into yours, panting for breath when he released himself from you.

“Y-you.... kissed me... you hate germs... and I missed the fireworks,” you mumbled, feeling rather lightheaded from kissing him too long. He lightly chuckled, tucking a strand of hair behind your ear, leaning over to give you another peck.

“I think we can let those slide just this once.”

[girlofprey7]

Why Apritello works/doesn’t work:

a short analysis and essay about April and Donatello’s overall dynamic and development in the 2012 show.

Apritello as a pairing is a pretty damn controversial topic in the TMNT 2012 fandom, and with good reason. Some fans may dislike or be against April because of her apparent rudeness or ungrateful nature towards everyone’s favourite brainy turtle, and Donatello may be thrown under the bus for his questionable and quote on quote ‘creepy’ behaviour towards April in the earlier seasons. Because of these observations, it has lead many fans to believe that relationship is unhealthy, toxic, and even going as far to call it emotionally abusive.

Today, we’re going to be looking at WHY fans may come to that conclusion, while also trying to look at the positive and promising sides of their relationship, in order to work out if their relationship works or not. We’ll be going through the moments where both sides have shown signs of toxicity, as well as signs of respect, trust, and love.

Also I just wanna say that this is my personal opinion, and though I am trying to fully consider all points from both sides of the argument, if you don’t agree with my overall thoughts, that’s perfectly fine. Just please keep your anti posts out of the Apritello tag where us fans can’t see them.

First we’ll be starting off With the Crusher himself, Donatello.

Let’s look at his examples of his toxic behaviour first:

He did follow her around New York in Target:April O’Neil. I may love Donnie, but I’m not going to deny that this decision was wrong, nor am I going to make excuses for him. He should have given April time to come to terms with herself, instead of following her and pushing her further over the edge. This was not a good thing to do, and while I wouldnt call it whole heartedly toxic, it was highly disrespectful of April’s space.

He tried to close up on her face when he was watching her with Metal head on the roof top. This is also highly disrespectful of April’s space, and could also be considered quote on quote ‘creepy’. There’s not much to say about this scene since it was pretty short, but all I can say is that he didn’t attempt to do it again after April called him out, though it still wasn’t respectful of him to do.

He got really jealous whenever April got remotely close to Casey, or when Casey got close to April. This is only in season 2 and maybe early 3 as far as I can see, but Donnie really didn’t do well whenever Casey was around April. He tried to pull them apart aggressively from hugging in Chinatown ghost story, and would constantly childishly fight and bicker with him for April’s attention. This is definitely an example of possessive nature, but I wouldn’t call it controlling nature as well, as he never outright insulted her or judged her for hanging out with Casey, he just bickered and fought with him.

Ok, so currently that’s all the So called toxic behaviour I can think of that was in the show, but maybe I’ll be able to find more examples that people use once I watch more of the series again.

Now, let’s move on to April’s purely Toxic behaviour in the relationship:

She stopped any chances of Donnie communicating his feelings or their relationship to him. The main example being in the invasion when she silenced his confession, while nervously saying that it just makes things hurt more. While her motivation behind this behaviour is still up for debate, I won’t deny that she should have tried to listen to what he had to say first, as well as try to communicate her own emotions better with him too. This is an example of miscommunication, and bad communication between a pair.

She would often get annoyed at him when he tried to help her or protect her, like in the Kraang conspiracy when he told he he’d protect her in the fight, and she responded with, ‘protect yourself,’ in a frustrated tone. She could have told Donnie that she didn’t need his help and that she could take care of herself politely, but she made a bad choice with her words and tone. This is an example of lashing out, without thinking of the partners feelings first. But this not completely count as emotional abuse.

She yelled at him, blaming him for losing her Crystal in Bats in the Belfry. This WAS partially caused by the fact the Crystal was controlling part of her emotions and actions, but it was still a hurtful thing to do to Donnie, who was trying to be patient with her throughout. This is an example of ungratefulness towards your partner, as well as lashing out and not considering their feelings first. Again, this is a bad thing to do either way, but I’ll have to look at her other instances in order to determine whether it’s truly emotional abuse.

(I don’t know whether her not actually outright telling either Casey or Donnie how she felt should be considered totally toxic behaviour or not, so I’m just gonna leave it as a half point for her lack of responsibility with the triangle.)

She doesn’t always appreciate him, or show her appreciation when he does something nice for her. This may be connected to number 2, in which when he would attempt to protect her or help her with something, she would sometimes respond in a stubborn and annoyed manner, not being fully appreciative of his help.

Ok, so again, this is all the so called toxic behaviour that fans usually seem to bring up while talking about The relationship, but this is also all the instances I remember her displaying in the series, but if I think of any more examples that people use I’ll add them.

(Also the claim that she may have been making mixed messages is connected to number one if you were wondering.)

Now before we move on, I just want to say something real quick. I love Apritello. Yeah it’s got it’s flaws, but I mostly blame the writers for that, and not the actual characters themselves. Hell, even with the problems I think it was pretty well written for an action show overall.

Also, I’m not trying to decipher which one of the pair had the most toxic behaviour, or who was the problem in their relationship, since both April AND Donnie have done things that I don’t agree with. I’m just trying to figure out whether the good on both sides, outweighs the bad on both sides.

So now, we’ll be looking at the pairs examples of respect/support/love/and trust.

Starting with Donnie:

When he comforted April when she was infected with the gas in Fungus Humungous, he never tried to take advantage of her fearful state, and instead just wanted to make sure she was Ok. This is an example of respect and support towards a partner, and not attempting to further your chances of being with them. Though Donnie still has his undeniable love for her (yes and at this point I’m pretty sure it passed crush territory), he is still able to treat her as a friend and comfort her without the motivation of getting with her.

When he followed April in mutagen man, though it was undeniably a bad thing to do, when April chewed him out for it and said without hesitation, ‘I never want to see you again,’ he felt guilty and remorse for it, and stopped doing it after that. He didn’t follow her again, knowing she needed space after the incident with her dad. This is what separates him from being a stalker. A true stalker would know what they’re doing is wrong, feel absolutely no remorse or guilt for it, and continue doing it even when he is told to stop. Donnie felt guilty and bad about it, even though he didn’t necessarily know what he was doing could be considered wrong, and stopped doing it. This is why he isn’t a stalker, and also shows his respect for April’s space and feelings.

When he gave April a music box in A foot too big, (yeah you knew I was gonna talk about this episode eventually) she acted uncomfortable with his forward ness, as well as the fact that he said nothing the whole time and the box was another obvious ploy to start something between them, showed by the picture of him inside, as well as the heart on the front. After living with big foot, he realised his actions were uncomfortable to her, once again felt guilty and remorse for it, and apologised to her at the end of the episode. He respected what she felt, and was willing to sacrifice his happiness for her. He stopped his behaviour after that and became more chilled and subtle with his crush. Sure he still bickers with Casey like the episode after, but I think that’s just their dynamic/relationship more than it is them fighting for April. My point is, he improved as a person because of HER.

He trusts April to make her own choices and shape her own path and goals in life. An abusive or toxic partner wouldn’t approve of your goals or chosen path, and would instead attempt to steer you away from them in order to change who you are. Donnie however supported April on becoming a kunoiche, and becoming a capable fighter like him and his brothers. He wasn’t at all threatened by her improved growth or skill, nor did he feel the need to put her down or make her weaker just to make himself feel more important. Hell, he even laughed with pure happiness when she took out Tigerclaw with that badass kick, showing that he loves what she’s become, and loves the path she’s made for herself.

He always allows HER to make the moves of affection, and never forcibly kisses her or hugs her without knowing she’s ok with it first. Again, this shows he respects her personal space as well as her wants in the relationship.

He knows when she’s gone too far, and though he does call her out on it, he still does it respectfully. Like the arc with the Aeon crystal and was acting out. He knew the Crystal was making her act that way, and wanted to help her overcome it instead of pretending that it wasn’t a problem. I have more to say on this particular point later, but I’ll wait till I find more prominent examples.

In the Gauntlet, when she broke down after her dad got captured for (I think) the second time, when she went to him for comfort, he comforted her and promised her that they’d get him back. Just like with the first example, he wasn’t trying to take advantage of her state to get with her or anything, he just wanted to be there for her, and make sure she was ok. Not as a romantic, but a friend.

He helped calm her down when she was mad at Shinigami after being beaten, telling her to not let her get to her, therefore calming her down. This is a sign of support of the others feelings and trying to make them feel better.

(This is more of a good thing on both sides as well as just something I find funny and endearing) they both bicker with one another in a banter sort of way. Remember the ‘bait doesn’t talk back’ and the ‘real kunoiche on our side?’ . He may be crushing on her, but that still doesn’t mean he’s not gonna blurt sassy facts at her and bicker with her. He still aknowledges that she has flaws, but as we’ve constantly seen, he still loves her flaws and all.

He apologised and took responsibility for his mistake with the transmitter at the end of eyes of the chimera, trying to make April feel better by even bringing her a hot beverage after the fiasco. This is a sign of looking out for the other and owning up to your mistake that may have hurt them.

Now let’s move onto April:

She apologised to Donnie personally for holding the grudge, and thanked him for sticking by her even when she was mad at him. She wasn’t thanking him for following her or anything like people may think, just thanking him for still being patient and kind with her. Also, while she was holding the grudge, she remembered what he had told her in Target, ‘some things are just beyond our control’. Which may have had a partial role in helping her come to her senses again.

She ALWAYS calls Donnie whenever she’s in trouble or in danger. I’ve seen this labelled off as codependency or her taking advantage of his feelings, but I see it much differently. In my opinion, this shows how much trust she has in him to save her, and help her whenever she needs it.

It was her memories of Donnie that helped her break the control of the Crystal. Donnie unconsciously motivated her be strong enough to defeat Za Naron and break her corruption. She broke through it, and became better, because of him.

She tried her best to get through to him TWICE in the Dream beavers episode. She was gentle and careful with him all the while (well apart from when she was slapping him to wake up, but that was when she was desperate). She was almost always seen by his side, and was close to panicking when he stopped breathing. And as soon as she found out he was Ok, she kissed him. Not for gratitude, not because she needed to make him feel better, but because she was happy he was ok.

When Donnie got injured in Monkey Brains, she told the guys off for teasing him, and was the only one to help nurse him back to health, being gentle and kind with him throughout.

She calls him out on his behaviour when she knows he’s doing something wrong. A lot of people see it as a bad thing when she tells him off for his poor decisions and behaviour, but I see it as a thing their relationship needs. A toxic relationship would most likely have both partnered not aknowledging the bad things that either one has done, and pretending it didn’t happen, or just be uncertain with telling them off. April doesn’t do this with Donnie. She aknowledges when he’s doing something bad, and call him out for it. In Target, she did t sugar coat it or stay silent about Donnie following her. She told him that he was doing something wrong, regardless of his intentions, and that he had to stop and respect that she needed to be alone right now. And like I said, he backed off and never did it again. And again, he improved, because of her.

She got mad at Casey for laughing at Donnie when he was stung badly on Dreggs planet, and was the one to help him back to the ship to be healed. When she knew he was ok, she kissed him again like in In Dreams, simply because she was happy he was Ok.

In Of rats and men, when Donnie told her that they had this covered, she responded with, ‘you always do,’ while smiling warmly, and with him smiling back. Romantic or not, this again shows the amount of respect and trust they have for each other. April instead of insisting she help or stubbornly barge back in, simply showed a sign of trust with him, knowing that had faith in him, and his brothers. This scene alone just shows the trust they have in their friendship, romantic or not, and that’s one of the things that makes them work in my opinion.

In the end of eyes of the Chimera, when Donnie apologised to April for using the transmitter on her, she wasn’t upset with him at at all. She’s said she was glad that Donnie used the transmitter on her because it allowed her to access her powers and learn to use them more. She tried to see Donnies mistake in a positive light, and appreciated him for his help nevertheless. This is an example of appreciation towards a partner, and aknowledging that their intentions are good and seeing them in a positive light instead of being disappointed with them.

For my final words, I just want to put in what the most common definition of an abusive/toxic relationship is.

In my definition, it is any relationship between people who don’t support eachother, where there’s constant conflict, and one often seeks to undermine the other, where there’s competition and disrespect, and most importantly, degrade and become worse as people just by being with one another.

And as far as I can see within the examples I’ve listed, both Donnie and April support each other throughout everything bad that happens to them, any conflicts that befall them they manage to get through, and have never purposely sought to undermine or hurt the other.

I want you to look at that last sentence again, and ask yourself: did April and Donnie grow as people or become better with overcoming their problems by being with one another? Because in my opinion, that’s how you really separate a toxic relationship from a good one.

So as for the question, are Donnie and April toxic or healthy?

Well, in my opinion, they DO work together, and their relationship is NOT abusive or toxic in any way shape or form. Both Donnie and April, though they had their flaws in the beginning, unconsciously and consciously helped eachother become better versions of themselves by being there for eachother throughout the series, as I have illustrated with the majority of my points.

And that my friends, is pretty damn FAR from abusive. In fact, that’s pretty much the complete OPPOSITE of abusive.

[strawberrycupsforever]

Reira or the art of creating an unorthodox antagonist.

I thought I’d make a post about Reira because she really is an interesting character to read and analyze.

Firstly, I would like to clarify that an antagonist doesn’t always have to be a villain. Reira is an antagonist not because her main motivations are to harm other characters, she is one because her actions cause pain regardless of this.

Now in complete honesty, Reira is a character that really frustrates me, I’m never going get over her relationship with Shin (so wrong, so, so wrong) but that doesn’t mean I can’t see how much she has suffered and how that suffering has affected her.

Reira has everything: the looks, the talent, the magnetism that draws other people towards her… it would’ve been so easy for Ai Yazawa to fall into the clichés these types of characters ususally get. She could’ve gone with a conniving femme fatale, a schemer who goes out of her way to compete against the main protagonists. It honestly says a lot about the type of media we consume, when these are the common traits in female antagonists, especially if they share a love interest with the protagonist, but I digress.

Instead of this type of character, we get Reira: a young woman in her early 20’s with a very sweet demeanor (almost childish) and a bright personality. The first time she meets Nana O. there’s nothing but genuine excitement, she simply doesn’t come across as an antagonist at all. Here lies Ai Yazawa’s talent for characterization. Reira is confusing to the reader, she is the main singer of the rival band our main protagonists are up against. She’s incredibly talented, Nana O. is left feeling very insecure after hearing her sing live. The first few times she appears in the manga is as a beautiful and cool figure. That’s why the first introduction to her actual personality after the last concert of their tour was so surprising and comical: the contrast between the image of Reira the singer and Reira the person was just beginning. 

Throughout the manga, her fears and insecurities start to unfold, (usually through conversations with Shin, which I think is interesting, and not a coincidence) and we start seeing how many layers Reira has. We can see how much her father’s loss affected her, how she can’t even disclose her identity as half American (she states her label thinks it’s beneficial if fans think she’s fully Japanese), the fact that she had to move from everything she considered home at a very young age to move to a country she didn’t know… It’s clear Reira has been through a lot, and through most of it she’s had Takumi as a constant. It’s only natural that she’d feel so strongly towards him, but what these two have is an incredibly toxic relationship.

Reira centers her existence and worth in her voice, and this is because she thinks her talent is the only reason why Takumi stays by her side. She feels like she has nothing more to offer to the world, and that’s sad because when it comes to Takumi, Reira really has no power over her feelings.

All this being said, Reira’s biggest flaw is her selfishness. She’s incredibly self-absorbed without the arrogance, which makes for a very interesting character. In fact, most of the harm she causes comes from her simply not taking into account other people. The main victim of this has been Shin. Although one could argue he lied to her about his age, she did eventually find out that he was a minor, and no amount of mental gymnastics is going to make the relationship okay. She doesn’t register the possible pain she can cause Shin, who is clearly taken by her or how her attitude towards Ren can make Nana O. uncomfortable (even though Ren mentions  Nana’s jealousy more than once). The biggest offence being during Ren’s wake. She doesn’t think about Hachi when she sleeps with Takumi, or even Shin, who she admits to have some feelings towards. She truly doesn’t look past herself at first, only to realize later the harm she has caused and feeling guilty about it, but not actively changing her ways.

She isn’t the only one to blame though, when it comes to her selfish ways, Reira is always enabled by the people around her. From Takumi to Ren to even Yasu. All these men, have a weird fixation with saving Reira, delegating this task to each other and even Shin (a teenager), when the thing Reira needs the most is independence. Shin seems to be the only one who sometimes calls her out on her selfishness, only to be demonized for it and then feel guilty about it, like what happened during Ren’s wake.

We can’t forget that Reira is an adult, regardless of how much people around her baby her, she should know better and take responsibility for her actions, trauma doesn’t justify any of them.

[ruby-whistler]

i've done some research, and i've come to a hilarious conclusion: the attitude of c!rivalsduo enthusiasts/apologists/etc towards cc and c tommy gives off similar vibes to that one gordon ramsay meme where he's comforting a child vs that "you donkey" comment or whatever LMFAO

KSDDKFHD yep pretty much

like, i don't dislike c!tommy myself, but i think everyone who does is extremely valid (as much as those who do like him) and i haven't seen a single one of those people be nothing but overwhelmingly supportive of cc!tommy unlike c!dream antis who usually dislike cc!dream's content but i guess that's another can of worms entirely.

and i don't think anyone dislikes him because he's "annoying" either? i myself don't - i don't really click with him because while cc!tommy is charming and genuinely one of the coolest people i know, c!tommy is insensitive towards others and very brash and extraverted. that's all good of course but the complete opposite of me so i can't really connect with the character in the slightest. but hey i can't even remember the last protagonist character i've liked, i usually just get helplessly attached to the villain or a side character instead, so what's new. all in all he's really not my kind of person (and don't talk to me about "loud trauma" for the love of god he's been like this before).

but when i am critical of him, it's not because he's loud or extraverted or reckless - i get messing with people and breaking rules for fun, believe me, there is not one minecraft server i've joined where i didn't immediately steal someone's ender crystals and trap their house (sorry c!dream), trust me - but it's moreso because he can be a jerk and i can see him... affect people negatively.

he's flawed, and he makes a lot of mistakes! easy to blame, easy to get angry at, and that's not - that's not his fault, neither is it inherently bad, but when i see him hurt people, my overempathy goes "get away you stupid jerk" and i just can't. i can't. i get so mad for other people when they get mistreated and it just... hurts to watch? and he's a well-written character like that for sure, dynamic and helping drive the conflict! but... he's not innocent. and that's fine, no one is, but - the way he makes others upset and doesn't even notice? the way he justifies hurting someone and doesn't care? it just - it really makes me feel distant. like i don't want to cheer him on. i just want him to get away from the person he's being toxic to.

that's the difference between cc!tommy and c!tommy - while cc does harmless bits that are funny and everyone is laughing and he's just oh my gosh he's so good at being entertaining don't get me started - c!tommy hurts people in the story, with both his words and actions.

and it's not like he (usually) does it maliciously! it just feels weird to see so many people defending his toxic behavior so violently (sorry c!tommy apologists, but the very radical ones of you are the main reason why i dislike the character) so i just. internally i feel like i have no choice than to set myself opposed to that, and it feels - refreshing in a way, to see others call that out and then see them get attacked and crave to see even more.

and i don't want him hurt! i don't want him hurt at all, no, i watched him get traumatized over and over again and as someone who went through stuff too i - i really want him to get support and be happy, at least for a moment because it's getting repetitive from a storytelling standpoint (sorry but as soon as it becomes good for the story and his own narrative to have him go through more stuff i'll support it, it's just gotten old at this point in time).

i just want some... self-awareness? and he's been gaining some! he's been gaining more, thank prime, he's - he's healing and actually getting better at this. he reflects from time to time, before he relapses thanks to being hurt again, and that's good. the reflection, not the relapse, i mean. but his past actions are really excused too much, and - i just decided to not care at some point.

that's why i don't talk about the character. i - i just don't care about him, because i can't put in the effort to try and put him together, because as long as he frustrates me i think the response to him frustrates me more? i hope i'll be able to like him more down the line. it all just feels wrong in my head, so i'll settle for not caring for now.

sorry for the ramble i have a lot - i have a lot of thoughts about c!tommy and they just came spilling out in whatever this incoherent mess is. this isn't an invite to send c!tommy crit in my inbox, but uh - be my guest. i tag my stuff, anyways, so. just. yeah, these are my thoughts, and accusations like "you just hate cc!tommy because this is his persona" rub me the wrong way when there is so much more to the way i perceive and choose to perceive the character.

if you're going to make me feel guilty for thinking critically of him, well, i'm not going to think anything of him at all. it's just not worth it.

i guess that's my thoughts on him at the moment.

[renegadewangs]

Van Zieks - the Examination, part 4

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see  Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3

It’s time to take a close look at Episode 2 of the second game, The Memoirs of the Clouded Kokoro!

Episode 2-2: The Memoirs of the Clouded Kokoro

Remember how in the last episode we vaguely got Barok on our side near the end of the trial by proving Mrs. Garrideb was actually involved in the crime? … Yeah. Forget that progress. It's being undone. Case 2-2 is the first case of the second game which features Barok, which unfortunately means he needs to be 'reintroduced' to the audience and it takes him back several steps in his growth. It makes sense, I suppose, it would've been weird starting a new game with him already being lightly on Ryu's side. Even so, it's a bit insulting how this case acts as if the chronologically previous one accomplished nothing.

So anyway, this case flashbacks to something which supposedly happened right after the first game's fourth case. The day after Soseki's acquittal, even. Turns out, Soseki awoke to find one of the other tenants in his building dead and asked Ryu for help, but (S)Holmes tagged along. Gregson is at the crime scene, keeping an eye on the place and on Soseki in particular since he's suspicious. (Sure, Gregson. Sure. Has nothing to do with the Reaper's curse, probably.) After some investigation with (S)Holmes, Gregson has enough evidence to actually arrest Soseki, which definitely feels like a step backwards. A bit later, it turns out the victim is Not Actually Dead Yet. Again! The Great Ace Attorney really enjoys throwing us for a loop by pretending we're in for another murder case.

Anyway, during the course of the investigation, I found two mentions of Van Zieks. The first is when you investigate the broken glasses and bottles in the victim's room. Susato is immediately reminded of Lord van Zieks.

And when examining Garrideb's old army uniform, Susato points out it might suit Lord van Zieks.

Haha, as if his usual outfit isn't ostentatious enough already. So we learn that Susato doesn't have a very high opinion of him at all, and I should hope it's not still related to that time he called detective novels pathetic. It's fun of them to refer to him in an investigation that he's not involved in in any way, especially when they don't know yet that he's the prosecution again.

Speaking to Soseki in the gaol, we're once again told that he's had a dreadful time in England so far. He sees foreigners everywhere and he's sure they're all laughing at him. He's been so on edge the past year that he's moved 'more times than he can remember'. So once again, we're reminded that racial prejudice in 1900s England is a focal point of this game's story. Once the conversation is over, Gregson appears to let the gang know that the victim has regained consciousness and is accusing Soseki of poisoning him. We're going to trial for an attempted murder charge, y'all!

The next day, in the defendant's lobby, Susato comes bursting in with the dreadful news that Barok van Zieks has once again taken on the prosecution. It's definitely safe to assume now that either Ryu or Soseki is the reason he's taking on these not-really-murder trials when he normally wouldn't. As I mentioned before, this is his reintroduction in the second game and so the game feels compelled to remind the player of what went down in case 1-4:

He sure did! The game also once again reminds us what the Reaper's Curse entails, and that perhaps that's the reason why Soseki is on trial yet again. He's doomed, perhaps. Susato also informs us that (S)Holmes is running late, just as he was two days ago, and Ryu thinks that's a good thing because if the Great Detective were there, Ryu might come to rely on his help.

… I suppose? He already relies on Susato for help and I feel like that would warrant far more 'preying' from Van Zieks than relying on a male, adult British detective for help. Though knowing (S)Holmes, he'd end up stealing the show and taking the words from Ryu's mouth, but that doesn't seem to be what Ryu's worried about here. I suppose the main point to take away from this remark is that Ryu wants to do as much as he can by himself. He wants to appear strong in front of Van Zieks to avoid presenting an easy target, and I think this might actually be the first time we see a sentiment like that from him. Is he afraid of Van Zieks? Does he actually care about the man's opinion? Anyway, he swears to show Van Zieks what a Japanese lawyer can do.

Inside the courtroom, Van Zieks does the usual prosecutor spiel about how the defense needs to be ready for defeat. Ryu thinks to himself that Van Zieks has a particular animosity towards Japanese people for some reason.

Good thing we got a second game in the series, eh? So because the defendant was on trial only two days ago, the same jurors were chosen where possible. The only juror not returning is Mrs. Garrideb, who's too busy being in prison. Her spot is now taken by a very fancy lady we later learn to be the wife of the Altamont Gas Company's owner. She may as well be the CEO herself with how she's acting, though. Anyway, Van Zieks addresses the jurors directly.

“However, the innocent verdict afforded to this eccentric Nipponese before... has had dire consequences. Did the accused repent for his wrongdoing in that affair? Far from it. Instead, he used his freedom to perpetrate a most blood-curdling crime!”

Van Zieks makes record time by taking off his cloak immediately after this line. He's gone straight into overdrive. The witnesses summoned this time are Inspector Gregson and... Soseki? It's very irregular for the defendant to be testifying, especially this early in the trial and especially by the prosecution's request. I can't really make much of it. It feels like the only reason Soseki is testifying is for this joke:

Also found when examining the testimony is a remark from Van Zieks that I honestly found shocking in how ferocious and scummy it is.

Unnecessary, that remark. It didn't need to exist at all in my opinion. So after Ryu shatters the testimony and scatters Gregson's fish 'n chips, Van Zieks calmly pours himself a glass of wine. I have to be honest, by now whenever he does this I'm left wondering what he'll do next. Will he crush the chalice? Will he throw it? Will he actually take a sip? The versatility of the action and unpredictable nature of Van Zieks add a bit of suspense. Turns out, his mind wandered during the testimony.

And then he ends up crushing the glass in his hand anyway. Alas, poor chalice. We knew it. So after a bit of debating back and forth about whether Shamspeare drank the supposedly-poisoned-tea after Soseki left the room, Van Zieks suddenly falls silent. We get three different, consecutive frames of him going “......” and when the judge asks what's wrong, he says this:

Supersonic hearing, this one. That is, unless the carriage entered the courthouse and literally pulled up in the hallway outside the room? Haven't we learned our lesson from the last time a carriage was driven into the Old Bailey?! So Shamspeare was apparently subpoenaed by the prosecution and has shown up to testify (with his doctor's permission). Bad news for us, since he's the one accusing Soseki in the first place. There's also a second witness to support Shamspeare's insistence there were no other visitors to the room and therefore only Soseki could have poisoned him. After that testimony is over, Van Zieks gets his wish and all the jurors vote guilty.

Van Zieks really seems to think that Soseki is a terrible person deserving of justice, huh? He was right there during the previous trial, saw Ryu prove without a shadow of a doubt that Soseki was innocent and still insists that justice will be done “this time”. Calm the heck down man, you're the one who sided with us when Mrs. Garrideb needed to testify, remember? And here comes another example of the game pretending the previous trials didn't leave an impact; when the Summation Examination is brought up, it's with disdain and this remark:

Bro, we used the Summation Examination successfully like five times already. Sit your butt down and watch the show. The jurors once again give prejudiced reasons for their decisions:

And unfortunately, instead of changing their minds by proving Soseki is a morally upstanding, innocent citizen, Ryu instead gets through this Summation Examination by basically proving Shamspeare is a worse person than Soseki. That's... not the direction you should be taking here, narrative. After convincing four of the jurors that Shamspeare is a fishy liar, Van Zieks flings another chalice of wine in frustration. The judge still thinks he could technically pass a ruling on the trial, since the new information didn't exactly disprove that Soseki is the culprit, but the jurors have been influenced so thoroughly that they can't let this new info go ignored. Testimony from the Altamont Company is allowed! Van Zieks thinks it's a waste of time, of course, and if this were reality it would be. Since it's an Ace Attorney game, we know Shamspeare's gas thievery is bound to somehow be related to the incident. Van Zieks flings yet another chalice after hearing the testimony (how many has it been already? Five?) and very shortly after, he tosses the entire bottle over his shoulder. Susato points out that he seems to be in a violent mood. I feel like someone must've pissed in his oatmeal that morning, because I've got no real explanation for why his character regressed this badly in the course of what chronologically was only two days.

Van Zieks flings two more chalices as the testimony progresses to prove that Shamspeare made fake coins to fool the gas meter. At the end of it all, he supposedly 'throws his hand up in despair and happened to catch his hallowed bottle along the way', flinging yet another one of those into the gallery. I'm starting to feel very bad for the people seated behind him now. Is the game overdoing these quirky animations to compensate for his regressed attitude? Because I'm not sure it's working... Van Zieks continues to insist that the situation hasn't changed and only Soseki could have poisoned the victim, so he calls for immediate adjucation. The game gives Ryu the option to either object or wait and see, and I have to be honest, this gave me pause. After what happened with the penalties in case 1-4, I was sure Van Zieks might dish out more punishment for waiting and seeing. Turns out, he doesn't. Ryu points out that Shamspeare likely used the tea to make these fake frozen coins of his, meaning there's still tea left at the scene of the crime which can be tested for poison.

Head in my hands right now. Again, I get it, they basically had to reintroduce Van Zieks to newcomers of the game (however few there might've been) so they had to regress him a bit, but I really don't like this. He honestly felt like he'd grown at the end of 1-4 and the game's not only undone it, it feels like they've made him even more of a scumbag. This line and this gesture honestly doesn’t quite correspond with the character established in the previous game. Anyway, court adjourned till the next day so the police can test the tea for poison.

During the investigation segment, we get a conversation that I'd quite honestly forgotten even exists. Turns out, (S)Holmes and Van Zieks are acquainted! ...or are they? (S)Holmes says he 'must pass the time of day with Mr. Reaper again, as it's been too long' and when asked whether they're acquainted, (S)Holmes replies that there isn't a person in the world who doesn't know his name, expertly dodging the question. Naturally, a new conversation topic opens up about it, so we can still attempt to needle more details out of him.

He explains the history of the Reaper's curse a bit more. Previous defendants found not-guilty would 'disappear from the capital' by falling under a passing carriage, drowning in the Thames, succumbing to a sudden fever... Etc. Susato points out that if those rumors are true, then surely the obvious conclusion would be that they were killed by Van Zieks's own hand. (S)Holmes points out that's impossible, since Van Zieks was already investigated on the matter before and for every single incident, he had a solid alibi. (This... doesn't disprove Van Zieks had anything to do with it, but okay (S)Holmes. Sure.) (S)Holmes also rubs it in yet again that Van Zieks retired from the courts five years ago and didn't return until the day Naruhodo arrived. I honestly don't know why they keep bringing that 5 year hiatus up in every single case, because as far as I can recall it was never fully explained or relevant.

I love how “foul smell” is wedged in-between those two topics as if it's also related. Anyway the conversation continues when Ryu brings up that Van Zieks seems to have a particular disdain for Japanese people. Susato demands to know whether (S)Holmes knows a bit more about it and while he's silent at first, he relents and tells us a tale (which will apparently be forgotten by Ryu and Susato in case 1-5). Van Zieks “chose to enter the legal profession ten years ago, but before that time, the man's closest companion hailed from the empire of Japan”. Which is a wording that baffles me, because it implies that Van Zieks chose to enter the legal profession at the same moment that Japanese person betrayed him, which we know is not the case. He was already in training to be a prosecutor before that, otherwise how could he possibly have prosecuted the Professor trial? Ryu is shocked and asks to know more, but (S)Holmes says the veil on the events from the past will be lifted soon enough. I'll get back to the implications of what this means for Van Zieks's backstory when we hit this exact same reveal in case 1-5.

Van Zieks is mentioned very little in the rest of the investigation segments. We only learn that he tasked Gregson with finding new clues, much to Gregson's dismay, as there isn't much to be found. The Inspector does immediately leap at new information when we uncover it, which implies he's eager to either please Van Zieks or avoid being scolded by him. I'm assuming the latter, but it's also possible Gregson feels guilty over the whole Reaper thing and Klint's autopsy, and is now compensating by working his hardest to fulfill Van Zieks's requests.

At the very end of the investigation, when evening falls, (S)Holmes reminds us that “it'll be hard to escape the grip of our friend, Mr. Reaper”. The next day, in the defendant's lobby just before the trial begins, Ryu thinks to himself that he doesn't believe in the legend of the Reaper any more than he believes in the convict's curse Soseki keeps mentioning. What's interesting here is that Ryu isn't dreading the confrontation anymore. After the McGilded trial he seemed genuinely intimidated by the concept of going up against Van Zieks (not because of the racism but because of what happened to his first defendant), but now he's not so hesitant anymore. He's beginning to see that Van Zieks can be defeated, that the Reaper thing is nonsense and that protecting his client is a fight worth fighting.

Into the courtroom we go for day 2 of the trial! When the judge asks about the results of the tea test, Van Zieks is silent for a moment. He pours himself a glass of wine, asking for a moment to “savour a liquid of a more sanguine hue”, then refers to Gregson for the full report. Gregson confirms no poison was found in the tea remains, but the prosecution wouldn't be the prosecution (and the game would be pretty boring) if they didn't have a backup plan. When Ryu proclaims Soseki is innocent, Van Zieks accuses him of jumping to conclusions, “a typical Nipponese reaction”. It's also a typical prosecution reaction to be hypocritical, no surprises here. He throws his chalice (first one of the day) and summons Shamspeare back to the stand to testify about how Soseki's unpoisoned and undrank cup of tea had been used to make the ice coins.

There's some lines here that I thought I might as well include:

“Yet on occasion, tedium distracts me and I pour more times than I intended until the bottle is dry.”

You know, it occurs to me that this drink is pretty much confirmed to be wine. He's very extra when talking about it himself, but he had his silly little wine analogies in the previous case and Susato referred to his glasses as “wine glasses”. And you would think it's obvious that it's wine, but we know Ace Attorney's long history with 'grape juice'. Either way, this dialogue leaves a pretty harsh implication that Van Zieks drinks alcohol simply to distract himself from troublesome moods. Sure, he says “tedium”, but this is a stoic prosecutor in the year 1900. They referred to depression as “melancholia” back then, and since he doesn't appear to have any friends, I expect he experiences “tedium” quite often outside the courtroom. He apparently set a rule for himself not to fill his glass more than seven times during a trial which, in turn, implies he's aware any more would cause problems. All of this is moot, of course, since 80% of the wine he pours for himself ends up on the floor between shards of glass. Still, though... Zieks, are you okay?

I don't think he is, because he pulls a very dirty trick here. Ryu proves Soseki drank all his tea and therefore it couldn't possibly have been used, so Van Zieks insinuates to Shamspeare that perhaps he misremembered using the tea from Soseki's cup and instead used tea still left in the teapot. An excuse Shamspeare happily takes, of course. Not gonna lie, I got angry, not because it's a dirty trick but because it's inconsistent. This is the very same character who all but dragged Mrs. Garrideb down from the juror bench to testify when it became clear she likely threw a knife out the window. And now he's feeding slippery excuses to a man who's very clearly lying about all sorts of things? What??? And remember this incident, because I'm going to be referring back to it later.

He crushes another chalice, removes his cloak and continues to insist that we should believe this thieving liar at the witness stand. The jurors for some reason buy the baloney served to them on a tinfoil platter and even twist Ryu's sentiments around, with some bloke going as far as to interpret the situation as 'the lawyer lad believes anyone who steals gas deserves to be poisoned'. Summation Examination gets very funky this time around, with the outcome being that Shamspeare probably blew the gas pipes (s-snerk) and the poison was laced on the pipe.

Van Zieks pours himself a glass of wine and pretty much immediately flings it, saying these are all empty assertions without a shred of proof. When Ryu presents the picture with the skin prints, Van Zieks once again breaks the rule of the prosecution staying silent during Summation Examination to point out that skin prints cannot be used as evidence, since that method is not recognized by the court (yet). Aaand he crushes yet another chalice in his hand.

Susato claims it was never meant to be used as official evidence, it was only a tool to demonstrate a new possibility to the jury. Jumping through some loopholes here, we are, since the picture is clearly in our Court Record as evidence. But, well, the prosecution cheats too so what's the harm? Some jurors vote not-guilty, but there's still one more that needs convincing on order to keep the trial going. Ryu says he has a witness who's already testified that the pipe-blowing incident did indeed occur that night, as Soseki stated the other day before the court that his stove went out in the dead of night. (Hang on, is this why the narrative made him testify alongside Gregson?) With that the majority of the jury votes not-guilty and the trial has to continue, but Van Zieks is extra rattled now. (Another bottle goes soaring.)

He once again reminds the court that skin prints aren't admissible evidence and therefore, there is no real proof Shamspeare put his mouth to the pipes (ghghhh I'm sorry this is such a silly thing to have to type out). Ryu asks for an investigative team to test the mouth of the gas pipe for poison, but since it would've evaporated by now, that's a no-go. Also, Van Zieks says that “what appears to be simple is my Nipponese friend's mind” and that's a scumbag point. Ryu attempts to turn the trial around by claiming that Shamspeare attempted to kill Soseki, making the defendant the victim, but Van Zieks ain't having it. The aggrieved being the accused is an interesting notion, but doesn't change what actually happened. In fact, if anything, it establishes a motive for Soseki to lay a trap for Shamspeare. Because who else could have known about the gas pipe trickery and put the poison there, right? Why, the true culprit, of course.

Our man Van Zieks really doesn't like (S)Holmes, huh? A tidbit which the games will never bother to explain! Either way, Ryu raises the name of Olive Green, the victim of the previous case. And I gotta say, I do genuinely like the way they integrated these two Clouded Kokoro cases together. The chronology of everything that went down is very fun to decipher, but long story short, Olive Green was at Briar Road the day she was stabbed for a reason and knows more about the 'convict curse' Soseki and Garrideb kept mentioning, so let's drag her into court! Van Zieks agrees to subpoena Miss Green in order to 'see his Nipponese friend's farce through to its conclusion'.

So during intermission some more evidence is handed to Ryu and when trial resumes, Van Zieks continues to be his usual self.

“The prosecution has tried to extend every courtesy to this amateur newcomer from dubious Eastern shores.”

Ryu sweats bullets as he meekly thanks Van Zieks “(for his backhanded consideration)”, but once again the judge is the one to call Van Zieks out on his attitude.

Amazing. It's so refreshing to see a judge who actually disagrees with the prosecution's haughty attitude problems and acknowledges it has no place in a courtroom. Nothing against Udgey, because we all love Udgey (and his Canadian brother), but this man actually grows and learns. So Olive Green takes the stand alongside Shamspeare (maybe not the best idea since Ryu just accused her of trying to murder this man) for dual testimony. When Green brings up what a dreadful ordeal the knife to her back was, Van Zieks says this:

Hang on, empathy? He's giving her advice? This reeks of humanization! Green seems taken aback and thanks him for his words, so the sentiment was genuinely accepted. This in itself is a very nice scene to see in action, similar to Van Zieks allowing Roly Beate to keep his job. Unfortunately, Van Zieks's character is in a wild rollercoaster of moral inconsistency during this particular case which sours the experience somewhat. Case in point:

YOOOU hypocrite! This actively angered me, because at the very start of this same trial day he was personally feeding lies to Shamspeare. Now he's warning Green not to lie? It gets even worse a bit later on when Green gets cornered about stealing the note, she asks him whether it could all be some sort of misunderstanding, and he says:

ACTIVELY FEEDING SHAMSPEARE A LIE. THE VERY SAME DAY. I'm all for prosecutors using dirty tactics. It helps to juxtapose them further to the honest defense attorney we play as. However, it needs to be consistent. Either a prosecutor condones a witness's lies to help their case, or they feel that they're above it. The third, most used option is for them to start off condoning it, only to learn that truth takes priority over victory. This sloppy back-and-forth morality that Van Zieks has going on here is insanely frustrating, so it's no wonder some players end up disliking him. It honestly feels as if they rewrote this case so many times, they screwed up the exact growth trajectory Van Zieks has.

Anyway, it seems Van Zieks is suddenly fully on our side now to help Ryu prove that Green was in Shamspeare's room and laced the gas pipe with poison. And I mean help help. When the judge points out that if Green had laced the pipe the very same day she was stabbed, the attempted murder would have happened six days ago. Van Zieks is the one to say “Perhaps not, My Lord” and explain Briar Road was full of police at that time. At this point, Van Zieks and Ryu (and also Susato) actively start to take turns to explain the proper chronology of events. So the defense and the prosecution are in perfect sync right now, working together to explain the whodunnit. This is the ideal outcome to any trial, usually not seen until the last case of the game, so it's curious that this dynamic abruptly shows itself in a case like this. Van Zieks does still have one moment of gaslighting when he claims Ryu may have inhaled some dubious gas, causing his judgment to be clouded, since there's no motive behind Shamspeare's attempts on his fellow lodgers. A matter that's very easily resolved, of course. Once the name of Selden is brought up, Van Zieks continues our little game of back-and-forth-truth-reveal until (S)Holmes shows his face.

“Your usual haunts are the filthy backstreets of the capital, are they not?”

To which (S)Holmes replies that it's been too long, and Van Zieks's complexion has worsened since last they met. Alright, so Van Zieks and (S)Holmes definitely have met in person before, some undetermined amount of time ago. You'd think that going by (S)Holmes's friendly attitude they might've even been friends once, but our great detective is like that towards everyone. This is evidenced by an earlier encounter with Gregson where (S)Holmes insists they're friends and Gregson says that they're not friends, to which (S)Holmes quietly agrees. So really, this little exchange tells us nothing about the history between the great detective and the Reaper.

Some shenaniganry, a breakdown and admittance to guilt later, the court is finally ready to deem Soseki innocent. Van Zieks once again has some interesting lines here:

“And one I certainly didn't envisage walking... with you.”

Considering he attempted to trip us up for most of this walk up until the very last stretch, I don't like this remark very much. It feels very unearned. This is another one of those things that would've been more suitable in the last case of the game, but instead it's being crammed into a messy mid-game moment with the pretense that Van Zieks learned a lesson about being our ally.

In the defendant's lobby, the game basically gives the exact same dialogue as at the end of the original Clouded Kokoro case; that Soseki is returning to Japan and hopes to pen his own literature there, with the rest of the cast pointing out that the Reaper's Curse must factor into his decision to some degree. So we're still holding onto that question of whether Soseki will escape an untimely death or not. Anyone who's already played the last case of the first game will know the answer, of course.

So to summarize... I genuinely didn't enjoy Van Zieks's portrayal in this case. It really feels as if something went horribly wrong and they got some notes mixed up about where his character was already headed in the previous game. It's a crying shame. There was a lot of potential for a case set between 1-4 and 1-5, but they really dropped the ball when it comes to consistency and I've no doubt that it reflected badly on people's opinions of him. Though I think when we return to the first game for The Unspeakable Story, everything will right itself out again to some degree. Stay tuned!

[writing-in-april]

The 5 Stages of Grief

Stage Two: Anger (2/5)

Spencer Reid x Gender Neutral Reader (Spencer POV)

Summary: Spencer going through each of the stages of grief after the death of the reader. Stage two is anger.

A/N: Thank you for all the love this series has gotten just after posting the first part!! I know angst isn’t for everyone— and neither is seeing Spencer in pain but thank you to all the people who read it 🥰 Again there’s a lot of rhetorical questions in this chapter- plus a lot of repition in Spencer’s thoughts. and, again each chapter gets progressively longer (cause each stage lasts a longer period of time) I did want to clarify that the only thing in this series that’s really going to give away what season it’s in is the people that are on the team. Requests are open and thanks for reading!

Warnings ⚠️ (if you want full warnings for the series check the Masterlist): Unnecessary agression against Spencer’s co-workers, Spencer attacking an unsub, Talk of death, Blood, Talk of guns, Unreliable narrator

Main Masterlist | 5 Stages of Grief Masterlist

Word count: 1.6k

The water that I had been submerged under immediately following the denial slipping away was slowly being replaced with a fire that burned hot. As I was being brought back to the police station in one of the bureau supplied SUVs nothing else was on my mind except the scorching anger that flickered inside me. I was inflamed with rage, so much so that I didn’t care to respond to Morgan’s soothing words to me. The words did nothing to douse the flames flaring to life within me, it just made me wish I did shut him up back at the crime scene. I should regret that I almost injured part of my own team earlier when I was blinded by denial, but the roaring inferno that consumed me was forcing me to focus only on the man that dared to pull the trigger.

“Shut up!” I snapped hotly at Morgan. In response he gave me a wounded look, I could care less about his feelings right now, he didn’t have his significant other murdered right in front of him. That at least got him to be quiet for a moment, which allowed me to let a few hot tears slip down my cheeks. They were tears of frustration and anger, they might as well have been gasoline poured on me acting as a propellant for my hostile feelings.

What further fueled the fire that burned hot inside me was the fact that they would never fulfill the dreams they had for their life. There was also a small part of me that was selfish, the fact that I would never be able to experience those dreams with them, it only served as another accelerant for the fire within me.

They deserved a better way to go, they deserved not to be shot in the back alley behind a gas station. They deserved to die surrounded by loved ones after living a long full life, with me right beside them.

When we pulled up in front of the station I quickly shot out of the vehicle, almost forgetting to even unbuckle my seatbelt. Morgan swiftly followed behind me trying to catch up with my long belligerent strides.

“Wait kid!” He grabbed my arm that was still covered in their blood, cardigan had been soaked enough to even bleed through to my button up. My once pristine purple cardigan was stained blood red, I would never wear this again. As soon as I got the chance I would burn it, even if it was gifted to me by them.

“Don’t call me kid.” My statement was laced with a deadly tone, I didn’t want his help nor did I need his pity. I yanked my arm out of his grip, then storming up the steps and barging into the station. The police officers all looked at me with varying looks of sadness that made me want to wipe their expression off their face. They had no right to be sad. They didn’t even know them.

I paced by the evidence board waiting for any news, not caring that I was still stuck in my bloodied clothes. Most of the team had left to go follow a lead a while ago leaving me with Emily. At least she didn’t feel the need to speak to me. She knew there was nothing she could say or do to make this situation better.

“Spencer, can you come with me?” JJ asked me gently. I perked up instantly at those words, hoping that they had at least been able to track down some sort of information. At least then maybe my fire would be partially quelled.

My breath hitched when I saw what JJ had led me to see. There he was sitting at the interrogation table, the only thing separating us was the one way glass. There was no doubt in my mind, it was him.

JJ then looked at Hotch and Rossi with a saddened expression before joining Morgan in the room where the unsub was shackled to the table. They started the interrogation of what they were all probably saying was the ‘suspect’, but I knew him to be the perpetrator.

“Where did you find him?” The volume of my voice was soft when I spoke, though my words still had an edge of fury to it.

“He was found a mile away from the scene by some of the officers on patrol, with a gun of the same caliber that- Anyway, we are just waiting for ballistics to confirm.” Rossi was gentle as he explained the situation to me. My mind wandered again instead of fully listening to the reason this man was apprehended. Where was everyone’s rage? Why wasn’t anyone angry? The sadness everyone permeated right now, did nothing to help bring this man to justice. Justice was needed. Real action was needed. Vengeance was needed.

“It’s definitely him.” I wasn’t paying attention to the man’s recount or his alibi that I had no doubt was fake. It didn’t matter to me, there was no doubt in my mind that he was guilty.

“Are you sure?” Hotch finally spoke up with a tone of authority, seemingly unaffected by the events of today. “You never said if you got a good look at him or not.”

My face hardened into stone at Hotch’s question. Was he trying to make me more mad? Was he trying to goad me into retaliation? Did he even care about them? Did he even care that one of his co-workers had been murdered? Or was he really as stone cold as everyone made him out to be? Maybe Haley’s murder had really made him void of all emotion. I couldn’t do that. I needed to be angry, I needed it to fuel me into bringing this man to justice. Maybe it wouldn’t be the most legal form of justice, but I would make sure he’d see it, whether it was by my fist or the courts.

“It’s him.” I said with even more conviction, almost on the edge of yelling at the two of them. I turned around to face my two bosses, a dark expression taking over my face as I did. I wish they would just let me in the room.

Rossi’s face was full of pity and through learning to read Hotch’s micro expressions throughout the years I could tell he was trying to express his sympathy, though it felt hollow. The pity and sympathy only served to make the rage inside me more volatile, which I didn’t think was possible. I didn’t care that Hotch had experienced the same pain I was feeling and I didn’t care that Rossi truly had cared about the both of us. It wasn’t enough. It wasn’t enough to make me not want to burst through the door of the interrogation room and beat the man to a pulp.

My vision clouded over so I only saw red, I had been consumed by the fire within me. I was like an uncontrollable wildfire now, nothing would stop me. Nothing would stop me from reaching the source of my wrath.

————

My hands were bruised and bloodied, almost like I had punched my fists into glass repeatedly. The blood was seeping through the bandages, someone must have patched me up. But, who? I didn’t even know where I was right now or even how I had gotten these bruises.

Scanning my surroundings I realized I was sitting at the round table in my usual spot, my memory then started coming back to me. I remember JJ pulling me off the unsub after I barged into the interrogation room and had landed a few blows. In my fury of being pulled away from the source of my fire I punched through the mirror in the bathroom I had been dragged into. I remember the wounds on my hands being carefully cleaned by Emily with a softness that I didn’t see often from her. And, I remember being taken home on the jet accompanied by half of the team, the other half had stayed behind to wrap up the case. It scared me that I could barely recall the memories without a haze of fuzziness. I must have been so wrought with fiery emotion and exhaustion that everything around me had started to slip away as unimportant. The team must have brought me in here, they probably wanted to keep an eye on me and knew I wouldn’t want to go back to our apartment. Well, I guess it was just my apartment now. Yeah, the team was right to leave me here. If I even caught a glimpse of their belongings I was sure the rage would take over again.

My eyes immediately shifted over to the chair next to me that would usually be occupied by them. Tears once again filled my eyes, I had cried so much in the past few hours- or was it days? I had cried so much that I wasn’t sure how it was possible. My eyes felt raw, my nose felt raw, my skin felt raw, really my whole being felt raw from the abuse it had seen throughout this whole ordeal. I just wanted this to be over. I just wanted them back.

The fire hadn’t fully gone from me, and I wasn’t sure that it ever would. It flickered inside me, trying to force me into enacting vengeance on the man that had extinguished the person I cared about the most. But, the overwhelming feeling of desperation to see the person who mattered to me most had taken over to partially snuff out the flames into embers. I’d do whatever it takes, I just wanted them back.

—

All works:

@shotarosleftpinky @oreogutz

Spencer Reid/CM:

@calm-and-doctor @destiny-tsukino @safertokiss

5 stages of grief:

@joonie-centric @tatesimper @half-blood-dork @mcntsee @illuxions-x @rainsong01 @nomajdetective @loveheathens